Concept

Stylisme

Fashion design is the creative process of assembling clothing and accessories by cutting, sewing, and adorning materials like textiles and leather with aesthetic elements like patterns, motifs, shapes, cuts, and colors from various cultures. Fashion design is the craft of fashion designers who create clothing, accessory, and jewelry for consumers, according to cultural and aesthetic influences, fashion styles, market trends, locations, seasons, and consumer segments. Fashion designers work in a variety of different ways when designing their pieces and accessories such as rings, bracelets, necklaces and earrings. Due to the time required to put a garment out in market, designers must anticipate changes to consumer desires. Fashion designers are responsible for creating looks for individual garments, involving shape, color, fabric, trimming, and more. Fashion designers attempt to design clothes that are functional as well as aesthetically pleasing. They consider who is likely to wear a garment and the situations in which it will be worn, and they work within a wide range of materials, colors, patterns, and styles. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses. Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Today, most clothing is designed for the mass market, especially casual and everyday wear, which are commonly known as ready to wear or fast fashion. There are different lines of work for designers in the fashion industry, which consist of those who work full-time for a singular fashion house or those who are freelance designers. Fashion designers that work full-time for one fashion house, as 'in-house designers', own the designs and may either work alone or as a part of a design team. Freelance designers who work for themselves, sell their designs to fashion houses, directly to shops, or to clothing manufacturers.

Source officielle

https://fr.wikipedia.org/wiki/Stylisme

À propos de ce résultat

Cette page est générée automatiquement et peut contenir des informations qui ne sont pas correctes, complètes, à jour ou pertinentes par rapport à votre recherche. Il en va de même pour toutes les autres pages de ce site. Veillez à vérifier les informations auprès des sources officielles de l'EPFL.

Cours associés (12)

MSE-431: Physical chemistry of polymeric materials

The student has a basic understanding of the physical and physicochemical principles which result from the chainlike structure of synthetic macromolecules. The student can predict major characteristics of a polymer from its chemical structure and molecular ...

CH-424: Supramolecular chemistry

The course provides an introduction to supramolecular chemistry. In addition, current trends are discussed using recent publications in this area. ...

AR-225: History of architecture II: 1420-1750

This course is concentrated on the history of Western architecture during the so-called 'long Renaissance,' a period that spans between the 15th and the 19th centuries. ...

Afficher plus

Séances de cours associées (8)

Révolution de la mode : repenser la durabilité

Explore la quête d'un créateur de mode pour révolutionner l'industrie à travers la durabilité et la créativité.

Introduction au chapitre 2 MOOC: Thymio: un robot pour se former à l'informatique

Présente les comportements préprogrammés, le dessin couleur, la mode et les logiciels de la machine.

Ressources naturelles : l'épuisement et la durabilité

S'engager dans la croissance économique, l'abondance des ressources, la durabilité et les risques de gestion.

Afficher plus

Concepts associés (20)

Clothing industry

Clothing industry or garment industry summarizes the types of trade and industry along the production and value chain of clothing and garments, starting with the textile industry (producers of cotton, wool, fur, and synthetic fibre), embellishment using embroidery, via the fashion industry to apparel retailers up to trade with second-hand clothes and textile recycling. The producing sectors build upon a wealth of clothing technology some of which, like the loom, the cotton gin, and the sewing machine heralded industrialization not only of the previous textile manufacturing practices.

Mannequinat

thumb|Mannequins lors d'un défilé de mode. Le est l'activité exercée par le mannequin, personne qui pose ou s'expose pour valoriser les produits de l'industrie de la mode. Les mannequins sont employés principalement pour la promotion de l'habillement, des accessoires de mode et des produits de beauté. Le métier, exclusivement féminin au départ, débute réellement au milieu du sur l'impulsion de Charles Frederick Worth. « Essayeuse » puis « sosie », le terme de « mannequin » ne commence à être utilisé qu'à partir du .

Économie créative

L’économie créative, telle que définie par l'Europe, est un « ensemble d'activités exploitant l'inventivité esthétique et artistique de groupes de travailleurs créatifs ». Elle est très dépendante du territoire dans laquelle elle s’exerce et varie donc d’un lieu à l’autre. De plus, si celle-ci apparaît comme une solution d’avenir pour l’Europe et l’Unesco par exemple, elle connait aussi ses détracteurs qui soulignent les risques et dangers qui l’accompagnent. La marchandisation de l’art et de la culture est un des risques soulignés.

Afficher plus

Graph Chat

Chattez avec Graph Search

Posez n’importe quelle question sur les cours, conférences, exercices, recherches, actualités, etc. de l’EPFL ou essayez les exemples de questions ci-dessous.

AVERTISSEMENT : Le chatbot Graph n'est pas programmé pour fournir des réponses explicites ou catégoriques à vos questions. Il transforme plutôt vos questions en demandes API qui sont distribuées aux différents services informatiques officiellement administrés par l'EPFL. Son but est uniquement de collecter et de recommander des références pertinentes à des contenus que vous pouvez explorer pour vous aider à répondre à vos questions.

Source officielle

https://fr.wikipedia.org/wiki/Stylisme

À propos de ce résultat

Cours associés (12)

MSE-431: Physical chemistry of polymeric materials

CH-424: Supramolecular chemistry

The course provides an introduction to supramolecular chemistry. In addition, current trends are discussed using recent publications in this area. ...

AR-225: History of architecture II: 1420-1750

This course is concentrated on the history of Western architecture during the so-called 'long Renaissance,' a period that spans between the 15th and the 19th centuries. ...

Afficher plus

Séances de cours associées (8)

Révolution de la mode : repenser la durabilité

Explore la quête d'un créateur de mode pour révolutionner l'industrie à travers la durabilité et la créativité.

Introduction au chapitre 2 MOOC: Thymio: un robot pour se former à l'informatique

Présente les comportements préprogrammés, le dessin couleur, la mode et les logiciels de la machine.

Ressources naturelles : l'épuisement et la durabilité

S'engager dans la croissance économique, l'abondance des ressources, la durabilité et les risques de gestion.

Afficher plus

Publications associées (5)

Learning Sewing Patterns via Latent Flow Matching of Implicit Fields

Sewing patterns define the structural foundation of garments and are essential for applications such as fashion design, fabrication, and physical simulation. Despite progress in automated pattern generation, accurately modeling sewing patterns remains difficult due to the broad variability in panel geometry and seam arrangements. In this work, we introduce a sewing pattern modeling method based on an implicit representation. We represent each panel using a signed distance field that defines its boundary and

ACM2026

From the design to the characterization of granular elastomers for 3D printing applications

Soft materials, though often shadowed by their hard counterparts such as plastics, concrete or metals, are indispensable in daily life. Among them, elastomers are particularly promising for emerging technologies, including soft robotics and flexible biomedical devices, where their softness enables safer interaction and greater freedom of movement. Their lightweight and energy efficiency also contribute to reducing the carbon footprint of devices. However, the broader adoption of elastomers in high-performan

EPFL2025

Science, Democracy, and the Pursuit of Aliens

In 1902, a contributor to Popular Science affirmed that “The era of the amateur scientist is passing; science must now be advanced by the professional expert.” Throughout the twentieth century, amateurs have been increasingly excluded from the production of scientific knowledge. But since the 1990s, under the banner of “citizen science”, a growing number of initiatives have involved, once again, amateurs in science, with the goal of democratizing science, promoting scientific literacy, and solving big data

2019

Afficher plus

Personnes associées (13)

Benoît Alain René Guillard

Pascal Fua

Pascal Fua received an engineering degree from Ecole Polytechnique, Paris, in 1984 and the Ph.D. degree in Computer Science from the University of Orsay in 1989. He then worked at SRI International and INRIA Sophia-Antipolis as a Computer Scientist. He joined EPFL in 1996 where he is now a Professor in the School of Computer and Communication Science and heads the Computer Vision Laboratory. His research interests include shape modeling and motion recovery from images, analysis of microscopy images, and Augmented Reality. His research interests include shape modeling and motion recovery from images, analysis of microscopy images, and machine learning. He has (co)authored over 300 publications in refereed journals and conferences. He is an IEEE Fellow and has been an Associate Editor of IEEE journal Transactions for Pattern Analysis and Machine Intelligence. He often serves as program committee member, area chair, and program chair of major vision conferences and has cofounded three spinoff companies (Pix4D, PlayfulVision, and NeuralConcept).

Pierre Dillenbourg

Ancien instituteur primaire, Pierre Dillenbourg obtient un master en Sciences de lEducation (Université de Mons, Belgique). Dans son projet de master en 1986, il est l'un des premiers au monde à appliquer les méthodes de 'machine learning' à l'éducation, afin de développer un 'self-improving teaching system'. Ceci lui permettra de débuter une thèse de doctorat en informatique à l'Université de Lancaster (UK) dans le domaine des applications éducatives de lintelligence artificielle. Il a été Maître dEnseignement et de Recherche à lUniversité de Genève. Il rejoint l'EPFL en 2012, où Il fut le directeur du Centre de Recherche sur l'Apprentissage, la formation et ses technologies(CRAFT), puis académique du Centre pour l'Education à l'Ere Digitale (CEDE) qui met en oeuvre la stratégie MOOC de l'EPFL (plus de 2 millions d'inscriptions). Il est actuellement professeur ordinaire en technologies de formation aux sein de la faculté Informatique et Communications et dirige laboratoire d'ergonomie éducative (CHILI). Depuis 2006, il a aussi été le directeur de DUAL-T, la 'leading house' dédiée aux technologies pour les systèmes de formation professionnelle duale. Il a fondé plusieurs start-ups dans l'éducation et rejoint plusieurs conseils d'administration. En 2017, Il a créé avec des collègues le 'Swiss EdTech Collider', un incubateur qui rassemble 80 start-ups dans le domaine des technologies éducatives. En 2018, ils ont lancé LEARN, le centre EPFL pour les sciences de l'apprentissage, lequel regroupe les initiatives locales en innovation éducative. Pierre est un 'inaugural fellow of the International Society of Learning Sciences'. Il est actuellement le Vice-Président Associé pour l'Education à l'EPFL.

Mathieu Salzmann

I am a Senior Researcher at EPFL-CVLab, and, since May 2020, an Artificial Intelligence Engineer at ClearSpace (50%). Previously, I was a Senior Researcher and Research Leader in NICTA's computer vision research group. Prior to this, from Sept. 2010 to Jan 2012, I was a Research Assistant Professor at TTI-Chicago, and, from Feb. 2009 to Aug. 2010, a postdoctoral fellow at ICSI and EECS at UC Berkeley under the supervision of Prof. Trevor Darrell. I obtained my PhD in Jan. 2009 from EPFL under the supervision of Prof. Pascal Fua.

Anja Skrivervik

Enseignement et PhD Doctorant·es actuel·les Erik Ralf Algarp, Amir Mohsen Ahmadi Najafabadi, Behnaz Bakhtiari, Jiajun Li, Ahmet Bilir A dirigé les thèses EPFL de Christophe Caloz, Tomasz Grzegorczyk, Olivier Patrick Staub, Francisco Jesus Nunez, Katarina Blagovic, Julien Perruisseau-Carrier, Juliane Iten Chaves Simoes, Gabriela Quintero Diaz De Leon, Francesco Merli, Maddalena Violetti, Nuno Pires, Mohsen Koohestani, Jovanche Trajkovikj, Hamed Hasani, Anton Evgeniev Ivanov, Miroslav Veljovic, Danelys Rodr

Serge Vaudenay

Serge Vaudenay entered at the Ecole Normale Supérieure in 1989 with a major in mathematics. He earned his agrégation (secondary teaching degree) in mathematics in 1992, then a PhD in Computer Science at the University of Paris 7 - Denis Diderot in 1995. He subsequently became a senior research fellow at the CNRS, prior to being granted his habilitation à diriger des recherches (a postdoctoral degree authorizing the recipient to supervise doctoral students). In 1999, he was appointed as a Professor at the EPFL, where he created the Security and Cryptography Laboratory.

Michaël Unser

Expertise Image Processing Medical Imaging Biological Imaging Wavelets Splines Multiresolution Enseignement et PhD Doctorant·es actuel·les Youssef Haouchat, Vincent Patrick Lawrence Guillemet, Bassam El Rawas, Stanislas Ducotterd, Mehrsa Pourya, Zhiyuan Hu A dirigé les thèses EPFL de Stefan Horbelt, Jan Kybic, Maria Arrate Munoz Barrutia, Manuela Feilner, Slavica Jonic, Mathews Jacob, Michael Liebling, Michael Sühling, Muthuvel Arigovindan, François Aguet, Cédric Vonesch, Ildar Khalidov, Sathish Ramani, F

Daniel Carnieto Tozadore

Harm-Anton Klok

Expertise Polymer design at nanoscaleBiologically-inspired polymers Enseignement et PhD Doctorant·es actuel·les Nicola Carrara, Berlind Vosberg, Maja Lopandic, Sneha Cheriyamparambil, Thanh Thi Hà Lê, Suqiu Jiang, Adam William Woodhouse, Kunita Numabe A dirigé les thèses EPFL de Stefano Tugulu, Markus Scholl, Harald Nuhn, Nadja Franz, Raphaël Barbey, Bojana Portmann, Maarten Danial, Dusko Paripovic, Sanhao Ji, Nicolas Bertrand Schüwer, Zuzana Kadlecova, Görçin Görkem Sahin Kurtuldu, Caroline Sugnaux, Sole

Giovanni De Micheli

Expertise Technologies de conception pour les systèmes intégrés, tels que la synthèse, le codesign de HW/SW et la conception de basse puissance. Technologies de conception des systèmes sur les plateformes hétérogènes comprenant les composants électriques, et biologiques. En savoir plus Consulter svp http://si2.epfl.ch/~demichel/ Enseignement et PhD A dirigé les thèses EPFL de Abhishek Garg, Mohamed Haykel Ben Jamaa, Francesco Zanini, Ciprian Seiculescu, Cristina Boero, Hu Xu, Andrea Cavallini, Shashi Kanth

Afficher plus

Concepts associés (20)

Exercices associés (1)

Le corbeau et le renard

A few days after the events narrated in the famous fable[1], the crow and the fox meet again. Having learned from its mistakes, the crow is determined not to be fooled again by the fox’s flattery. The fox, however, is set on getting a second piece of cheese. This time , it chooses a more direct method and throws a stone at the crow to scare it. It works beyond expectations: as soon as the stone is thrown, the crow drops the cheese. The crow is perched on a tree of height H; the fox is a distance L from the

Notebooks associés (2)

Modeling and Analysis of a PN-Junction in Inhomogeneous Semiconductors.

In [1]: import matplotlib.pyplot as plt import matplotlib.ticker as mtick import numpy as np import ipywidgets as widgets import scipy.integrate as integrate from ipywidgets import interact, fixed from scipy.interpolate import interp1d from textwrap import dedent from bokeh.io import push_notebook, show, output_notebook, output_file, curdoc from bokeh.plotting import figure from bokeh.layouts import column, row from bokeh.themes import built_in_themes from bokeh.models import Range1d, BasicTickFormatter, L

Advantages of Digital Transmission over Analog Transmission

[1]Paolo Prandoni, [2]EPFL Analog vs Digital Transmission In this notebook we will explore the advantages of digital transmission over analog transmission. We will model the case of transmission over a long (e.g. transoceanic) cable in which several repeaters are used to compensate for the attenuation incurred by the signal. In [1]: import matplotlib import matplotlib.pyplot as plt import numpy as np import IPython from scipy.io import wavfile plt.rcParams["figure.figsize"] = (14,4)

Personnes associées (13)

Benoît Alain René Guillard

Daniel Carnieto Tozadore

Harm-Anton Klok

Giovanni De Micheli

Afficher plus