HUM-451: Artistic practices: field studies, film practice IICe cours, propose 2 options, en anglais et en français : 'Elsewhere Encounters' propose d'explorer différentes approches d'étude de terrain dans le monde artistique ; 'Réalisation' se penche sur les techniques cinématographiques et s'engage dans la réalisa ...
HUM-401: Artistic practices: field studies, film practice ICe cours, propose 2 options, en anglais et en français : 'Elsewhere Encounters' propose d'explorer différentes approches d'étude de terrain dans le monde artistique ; 'Réalisation' se penche sur les techniques cinématographiques et s'engage dans la réalisa ...
HUM-233: Histoire et théorie du cinémaCINEMA JAPONAIS, IMAGINAIRES DU DESASTRE : Ce cours vise à proposer une histoire du cinéma au prisme du cinéma japonais, et de différentes approches critiques et théoriques en lien avec la production de représentations du désastre. ...
AR-301(m): Studio BA5 (Gay and Menzel)The studio is focused on contextual imaginary. Developing narratives, inspired both from the site and from the student's imagination leads to a theme sustaining the project. The narrative helps the student to intervene in the complexity of a given context. ...
AR-401(m): Studio MA1 (Gay and Menzel)The studio is focused on contextual imaginary. Developing narratives, inspired both from the site and from the student's imagination leads to a theme sustaining the project. The narrative helps the student to intervene in the complexity of a given context. ...
AR-302(m): Studio BA6 (Gay and Menzel)The studio is focused on contextual imaginary. Developing narratives, inspired both from the site and from the student's imagination leads to a theme sustaining the project. The narrative helps the student to intervene in the complexity of a given context. ...
AR-402(m): Studio MA2 (Gay and Menzel)The studio is focused on contextual imaginary. Developing narratives, inspired both from the site and from the student's imagination leads to a theme sustaining the project. The narrative helps the student to intervene in the complexity of a given context. ...
AR-301(o): Studio BA5 (elii)Fiction is one of the laboratories that architecture uses for its tests. This should not come as a surprise, since architecture has always been a "science of fiction". The studio holds by elii [architecture office] will work in Madrid on housing, domestici ...
AR-302(o): Studio BA6 (elii)Fiction is one of the laboratories that architecture uses for its tests. This should not come as a surprise, since architecture has always been a "science of fiction". The studio holds by elii [architecture office] will work in Madrid on housing, domestici ...
AR-404: UE A : Art and architectureTo train painting we must, first and foremost, train our gaze and our eyes to select, focus, caress, become inflamed. Learning to draw or paint means learning to see, to discover the physical porosity of the world, to engage with our own bodies, as well as ...
AR-450: Montage and the metropolisThis course will introduce students to the concept of montage as a new paradigm for the perception, experience, and representation of urban and architectural space in modernity. Pursuing an interdisciplinary approach, the class will discuss major figures a ...
AR-402(o): Studio MA2 (elii)Fiction is one of the laboratories that architecture uses for its tests. This should not come as a surprise, since architecture has always been a "science of fiction". The studio holds by elii [architecture office] will work in Madrid on housing, domestici ...
AR-401(o): Studio MA1 (elii)Fiction is one of the laboratories that architecture uses for its tests. This should not come as a surprise, since architecture has always been a "science of fiction". The studio holds by elii [architecture office] will work in Madrid on housing, domestici ...
AR-430: Magma et principesNous proposons à une dizaine de personnalités de mettre en relation deux séquences spatiales issues de deux univers représentatifs l'architecture et le cinéma. Pour ce semestre "TEMPUS SESSORIUM" Le temps de s'assoir. ...
AR-495(b): Apparent realities - Constructing the viewThe ability to represent ideas coherently and communicate a project aims effectively is a key skill for every architect. Design, painting, photography, modelling and graphics are essential to the architectural project and become didactic instruments for th ...
AR-415: UE L : Art and architecture: constructing the view IThe ability to represent ideas coherently and communicate a projectâs aims effectively is a key skill for every architect. Design, painting, photography, modelling and graphics are essential to the architectural project and become didactic instruments fo ...
