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OpenAL (Open Audio Library) is a cross-platform audio application programming interface (API). It is designed for efficient rendering of multichannel three-dimensional positional audio. Its API style and conventions deliberately resemble those of OpenGL. OpenAL is an environmental 3D audio library, which can add realism to a game by simulating attenuation (degradation of sound over distance), the Doppler effect (change in frequency as a result of motion), and material densities. OpenAL aimed to originally be an open standard and open-source replacement for proprietary (and generally incompatible with one another) 3D audio APIs such as DirectSound and Core Audio, though in practice has largely been implemented on various platforms as a wrapper around said proprietary APIs or as a proprietary and vendor-specific fork. While the reference implementation later became proprietary and unmaintained, there are open source implementations such as OpenAL Soft available. OpenAL was originally developed in 2000 by Loki Software to help them in their business of porting Windows games to Linux. After the demise of Loki, the project was maintained for a time by the free software/open source community, and implemented on NVIDIA nForce sound cards and motherboards. It was hosted (and largely developed) by Creative Technology until circa 2012. Since 1.1 (2009), the sample implementation by Creative has turned proprietary, with the last releases in free licenses still accessible through the project's Subversion source code repository. However, OpenAL Soft is a widely used open source alternative and remains actively maintained and extended. While the OpenAL charter says that there will be an "Architecture Review Board" (ARB) modeled on the OpenGL ARB, no such organization has ever been formed and the OpenAL specification is generally handled and discussed via email on its public mailing list. The original mailing list, openal-devel hosted by Creative, ran from March 2003 to circa August 2012. Ryan C.
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will investigate the effect of phase on the
perceptual quality of a sound. It is often said that the human ear is
commercial-grade audio equipment takes place in the magnitude domain
only.
In [1]:
%matplotlib inline
import matplotlib
import matplotlib.pyplot as plt
import numpy as np
import IPython
from scipy.io import wavfile
In [2]:
plt.rcParams["figure.fig "I defy anybody to find a record... unless it is some old blues
record from 1922... that uses feedback that way. So I claim it for
the Beatles. Before H
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will look at the practical issues associated to
plotting the DFT and in particular the DFT of real-world signals. We
will examine how to map the DFT coefficients to real-world frequencies
and we will investigate the frequency resolution of the DFT and the
effects of zero padding.
In [1]: