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A signal generator is one of a class of electronic devices that generates electrical signals with set properties of amplitude, frequency, and wave shape. These generated signals are used as a stimulus for electronic measurements, typically used in designing, testing, troubleshooting, and repairing electronic or electroacoustic devices, though it often has artistic uses as well. There are many different types of signal generators with different purposes and applications and at varying levels of expense. These types include function generators, RF and microwave signal generators, pitch generators, arbitrary waveform generators, digital pattern generators, and frequency generators. In general, no device is suitable for all possible applications. A signal generator may be as simple as an oscillator with calibrated frequency and amplitude. More general-purpose signal generators allow control of all the characteristics of a signal. Modern general-purpose signal generators will have a microprocessor control and may also permit control from a personal computer. Signal generators may be free-standing self-contained instruments, or may be incorporated into more complex automatic test systems. In June 1928, the General Radio 403 was the first commercial signal generator ever marketed. It supported a frequency range of 500 Hz to 1.5 MHz. Also, in April 1929, the first commercial frequency standard was marketed by General Radio with a frequency of 50 KHz. Function generator A function generator is a device which produces simple repetitive waveforms. Such devices contain an electronic oscillator, a circuit that is capable of creating a repetitive waveform. (Modern devices may use digital signal processing to synthesize waveforms, followed by a digital-to-analog converter, or DAC, to produce an analog output.) The most common waveform is a sine wave, but sawtooth, step (pulse), square, and triangular waveform oscillators are commonly available as are arbitrary waveform generators (AWGs).
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will investigate the effect of phase on the
perceptual quality of a sound. It is often said that the human ear is
commercial-grade audio equipment takes place in the magnitude domain
only.
In [1]:
%matplotlib inline
import matplotlib
import matplotlib.pyplot as plt
import numpy as np
import IPython
from scipy.io import wavfile
In [2]:
plt.rcParams["figure.fig [2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will explore various ways to implement a system
that changes the voice of a speaker. Typical applications for these
techniques, strictly sorted by plausibility, include international spy
missions and prank telephone calls, and devices such as the one
displayed here can be easily bought on the web... or in a novelty shop.
No description has been provided for t