Audio coding formatAn audio coding format (or sometimes audio compression format) is a content representation format for storage or transmission of digital audio (such as in digital television, digital radio and in audio and video files). Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus. A specific software or hardware implementation capable of audio compression and decompression to/from a specific audio coding format is called an audio codec; an example of an audio codec is LAME, which is one of several different codecs which implements encoding and decoding audio in the MP3 audio coding format in software.
Compression artifactA compression artifact (or artefact) is a noticeable distortion of media (including , audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired or transmitted (streamed) within the available bandwidth (known as the data rate or bit rate). If the compressor cannot store enough data in the compressed version, the result is a loss of quality, or introduction of artifacts.
Impression 3Dalt=Une grenouille en plastique bleue est en cours de construction par une imprimante 3D|vignette|Objet imprimé en 3D par une Ultimaker 2 Go vignette|Imprimante 3D dans un fab lab béninois.L'impression 3D ou fabrication additive regroupe les procédés de fabrication permettant de créer des pièces en volume par ajout de matière en couches successives. Elle s'oppose à la fabrication soustractive. Cette famille de procédés a commencé à se développer au début des années 1980 avec pour objectif principal de faciliter le prototypage rapide, puisque le coût de production est pratiquement indépendant de la quantité produite.
InfographieL'infographie est le domaine de la création d' assistée par ordinateur. Cette activité est liée aux arts graphiques. Les études les plus courantes passent par les écoles publiques ou privées se situant majoritairement en Angleterre, en Belgique, au Canada, en France, et aux États-Unis. Lors de l'introduction du concept dans la langue française vers les années 1970, le terme « infographie » désigne les graphismes produits par ordinateur.
Surface de subdivisionDans le domaine de la CAO et des mathématiques, les surfaces de subdivision sont une façon de créer des surfaces lisses développant de plus en plus un maillage linéaire par morceaux. La surface lisse finale, peut être calculée comme la limite du procédé itératif de subdivision de chaque face polygonales en un sous-ensemble de faces approchant mieux la surface lisse finale. Les procédés de subdivision sont par nature des algorithmes récursifs. La méthode débute à partir d'un maillage (ou mesh) donné.
Visualization (graphics)Visualization or visualisation (see spelling differences) is any technique for creating s, diagrams, or animations to communicate a message. Visualization through visual imagery has been an effective way to communicate both abstract and concrete ideas since the dawn of humanity. from history include cave paintings, Egyptian hieroglyphs, Greek geometry, and Leonardo da Vinci's revolutionary methods of technical drawing for engineering and scientific purposes. Visualization today has ever-expanding applications in science, education, engineering (e.
Synthèse chimiqueUne synthèse chimique est un enchaînement de réactions chimiques mis en œuvre volontairement ou non permettant l'obtention d'un ou de plusieurs produits finaux, parfois avec isolation de composés chimiques intermédiaires. Les synthèses chimiques peuvent avoir lieu à toutes sortes d'échelles : du laboratoire de recherche (de l'ordre du gramme ou moins) à l'industrie chimique (souvent de l'ordre de la tonne ou plus) ou dans la nature (biosynthèses).
BitmapIn computing, a bitmap is a mapping from some domain (for example, a range of integers) to bits. It is also called a bit array or bitmap index. As a noun, the term "bitmap" is very often used to refer to a particular bitmapping application: the pix-map, which refers to a map of pixels, where each one may store more than two colors, thus using more than one bit per pixel. In such a case, the domain in question is the array of pixels which constitute a digital graphic output device (a screen or monitor).
Rate–distortion theoryRate–distortion theory is a major branch of information theory which provides the theoretical foundations for lossy data compression; it addresses the problem of determining the minimal number of bits per symbol, as measured by the rate R, that should be communicated over a channel, so that the source (input signal) can be approximately reconstructed at the receiver (output signal) without exceeding an expected distortion D. Rate–distortion theory gives an analytical expression for how much compression can be achieved using lossy compression methods.
File formatA file format is a standard way that information is encoded for storage in a . It specifies how bits are used to encode information in a digital storage medium. File formats may be either proprietary or free. Some file formats are designed for very particular types of data: PNG files, for example, store bitmapped using lossless data compression. Other file formats, however, are designed for storage of several different types of data: the Ogg format can act as a container for different types of multimedia including any combination of audio and video, with or without text (such as subtitles), and metadata.
Total costIn economics, total cost (TC) is the minimum dollar cost of producing some quantity of output. This is the total economic cost of production and is made up of variable cost, which varies according to the quantity of a good produced and includes inputs such as labor and raw materials, plus fixed cost, which is independent of the quantity of a good produced and includes inputs that cannot be varied in the short term such as buildings and machinery, including possibly sunk costs.
Multimedia information retrievalMultimedia information retrieval (MMIR or MIR) is a research discipline of computer science that aims at extracting semantic information from multimedia data sources. Data sources include directly perceivable media such as audio, and video, indirectly perceivable sources such as text, semantic descriptions, biosignals as well as not perceivable sources such as bioinformation, stock prices, etc. The methodology of MMIR can be organized in three groups: Methods for the summarization of media content (feature extraction).
