Fishing for complements with chord, scale, and rhythm nets

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Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style. The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...

Masonry building aggregates can be found throughout historical city centers of Europe. Adjacent buildings have often developed during the long densification process, without consistent planning or engineering. It is common for neighboring units to share a ...

This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the cho ...

Grammatical models which represent the hierarchical structure of chord sequences have proven very useful in recent analyses of Jazz harmony. A critical resource for building and evaluating such models is a ground-truth database of syntax trees that encode ...

Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study addresses the subject, using traditional music analysis, data-driven corpus methods, and computational models, concentrating on historical changes of tonalit ...

This article proposes an original approach to urban events mapping. At the theoretical level, the article is based on rhythmanalysis and recent research on urban rhythms. It contrasts with previous research by departing from everyday rhythms to tackle the ...

This paper studies the "integration" problem of nineteenth- century harmony the question whether the novel chromatic chord transitions in this time are a radical break from or a natural extension of the conventional diatonic system. We examine the connecti ...

Western musical styles use a large variety of chords and vertical sonorities. Based on objective acoustical properties, chords can be situated on a dissonant-consonant continuum. While this might to some extent converge with the unpleasant-pleasant continu ...

In Western tonal music, voice leading (VL) and harmony are two central concepts influencing whether a musical sequence is perceived as well-formed. However, experimental studies have primarily focused on the effect of harmony on the cognitive processing of ...

Fishing for complements with chord, scale, and rhythm nets

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Learning music composition with recurrent neural networks

The Tonal Diffusion Model

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Shake table testing of aggregate masonry buildings

Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

The Jazz Harmony Treebank

Transitions of Tonality: A Model-Based Corpus Study

Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival

Distant Neighbors and Interscalar Contiguities

The pleasantness of sensory dissonance is mediated by musical style and expertise

The Impact of Voice Leading and Harmony on Musical Expectancy