Publication

Fishing for complements with chord, scale, and rhythm nets

Publications associées (31)

The Tonal Diffusion Model

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

2020

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Daniel Harasim

Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style. The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...

EPFL2020

Shake table testing of aggregate masonry buildings

Katrin Beyer, Andrea Penna, Igor Tomic

Masonry building aggregates can be found throughout historical city centers of Europe. Adjacent buildings have often developed during the long densification process, without consistent planning or engineering. It is common for neighboring units to share a ...

2020

Axiomatic scale theory

Martin Alois Rohrmeier, Daniel Harasim

Scales are a fundamental concept of musical practice around the world. They commonly exhibit symmetry properties that are formally studied using cyclic groups in the field of mathematical scale theory. This paper proposes an axiomatic framework for mathema ...

TAYLOR & FRANCIS LTD2020

Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

Martin Alois Rohrmeier, Fabian Claude Moss

This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the cho ...

2020

The Jazz Harmony Treebank

Martin Alois Rohrmeier, Christoph Finkensiep, Daniel Harasim, Petter Harald Ericson

Grammatical models which represent the hierarchical structure of chord sequences have proven very useful in recent analyses of Jazz harmony. A critical resource for building and evaluating such models is a ground-truth database of syntax trees that encode ...

ISMIR2020

Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival

Luca Giovanni Pattaroni, Nils Hamel, Lucien Jean Delley, Guillaume Simon Joseph Drevon

This article proposes an original approach to urban events mapping. At the theoretical level, the article is based on rhythmanalysis and recent research on urban rhythms. It contrasts with previous research by departing from everyday rhythms to tackle the ...

2020

The Impact of Voice Leading and Harmony on Musical Expectancy

Martin Alois Rohrmeier, Markus Franz Josef Neuwirth, Robert Lieck

In Western tonal music, voice leading (VL) and harmony are two central concepts influencing whether a musical sequence is perceived as well-formed. However, experimental studies have primarily focused on the effect of harmony on the cognitive processing of ...

Nature Research2020

Transitions of Tonality: A Model-Based Corpus Study

Fabian Claude Moss

Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study addresses the subject, using traditional music analysis, data-driven corpus methods, and computational models, concentrating on historical changes of tonalit ...

EPFL2019

Distant Neighbors and Interscalar Contiguities

Martin Alois Rohrmeier, Daniel Harasim

This paper studies the "integration" problem of nineteenth- century harmony the question whether the novel chromatic chord transitions in this time are a radical break from or a natural extension of the conventional diatonic system. We examine the connecti ...

SPRINGER INTERNATIONAL PUBLISHING AG2019

The pleasantness of sensory dissonance is mediated by musical style and expertise

Martin Alois Rohrmeier, Markus Franz Josef Neuwirth, Fabian Claude Moss, Tudor Popescu

Western musical styles use a large variety of chords and vertical sonorities. Based on objective acoustical properties, chords can be situated on a dissonant-consonant continuum. While this might to some extent converge with the unpleasant-pleasant continu ...

Nature Research2019