Barbara GalimbertiExpertise
Archivistique, gestion des collections et sciences de l’information appliquées aux archives d’architecture et aux collections patrimoniales et de recherche, au sein des Archives de la construction moderne (ACM) de l’École polytechnique fédérale de Lausanne. Description archivistique normalisée, structuration et gouvernance des métadonnées, diffusion des instruments de recherche et développement d’infrastructures numériques pour la conservation et l’accès à long terme (Morphé / AtoM + Archivematica
Demetri PsaltisEnseignement et PhD Doctorant·es actuel·les Victoria Fay, Colin Nikhil Christian A dirigé les thèses EPFL de Wuzhou Song, Alexandre Goy, Julien Cuennet, Ioannis Papadopoulos, Xin Yang, Grégoire Pierre Jean Laporte, Thomas Jean Victor Marie Lanvin, Seyyed Mohammad Hosseini Hashemi, Nicolino Stasio, Morteza Hasani Shoreh, Marilisa Romito, Pooria Hadikhani, Eirini Kakkava, Joowon Lim, Giulia Panusa, Ahmed Bassam Sayed Ayoub Mohamed Ayoub, Amirhossein Saba, Niyazi Ulas Dinç A co-dirigé les thèses EPFL de Ugur
Maud EhrmannMaud Ehrmann is a research scientist at EPFL’s Digital Humanities Laboratory lead by Prof.
Frédéric Kaplan
. She holds a PhD in Computational Linguistics from the Paris Diderot Universtiy (Paris 7) and has been engaged in a large number of scientific projects centred on information extraction and text analysis, both for present-time and historical documents. Her main research interests span Natural Language Processing and Digital Humanities and include, among others, historical text annotation, historical data processing and representation, named entity recognition, and multilingual linguistic resources creation.
Her current work at the DHLAB focuses on
‘impresso - Media Monitoring of the Past’
, a SNF sinergia project she initiated with
Marten Düring
(
C2DH
) and
Simon Clematide
(
ICL
) and which aims at enabling critical analysis of historical newspapers. In addition to the overall project management, her contributions to this project include system design and data management, annotation and benchmarking and named entity processing. Besides, she participates to the activities of the
Venice Time Machine
, working particularly on information extraction and knowledge representation tasks. Previously, she worked on the
Garzoni
project where she supervised and contributed to the development of a web-based transcription and annotation interface - in collaboration with Orlin Topalov, and built a linked data-based historical knowledge base. She also contributed to the
Le Temps Digital Archives project
.
Prior to joining the DHLAB, she worked at the
Linguistics Computing Laboratory
at the Sapienza University of Rome with Roberto Navigli, where she worked on the
BabelNet
resource - a very large multilingual encyclopaedic dictionary and semantic network - and contributed to the
LIDER
project. Before that, she has been working for four years at the European Commission’s Joint Research Centre in Ispra, Italy, as member of the OPTIMA unit (now
Text and Data mining
unit), which develops innovative and application-oriented solutions for retrieving and extracting information from the Internet with a focus on high multilinguality. Together with Erik van der Goot,
Ralf Steinberger
, Hristo Tanev, Leo della Rocca and many others, she contributed to the development of the
Europe Media Monitor
(EMM). Prior, she worked at the Xerox Europe Research Centre in Grenoble, France (now
Naver Labs Europe
) in the Parsing & Semantics group led by Frédérique Segond, first as PhD candidate supported through a CIFRE grant under the supervision of
Caroline Brun
and
Bernard Victorri
, then as a post-doctoral researcher. There her research focused mainly on the automatic processing and fine-grained analysis of entities of interest, specifically named entities and temporal expressions.
Isabella Di LenardoPh.D. in Theories and Art History. Isabella di Lenardo is senior scientist in Digital Humanities and Urban History. Her research activity is focused on digital tools and methods applied to Urban History. She is an expert in ancient cartography, city representations, cadastral sources interpreted through digital modeling, extraction and analysis systems.She's also interested in network analysis questioning the production and circulation of artistic and architectural knowledge in Europe XVIth – XVIIIth centuries in particular on North-South relationships and influences. The development of collaboration projects with European institutions and the activity carried out on various initiatives supported by the European Commission have allowed her to acquire specialism in the field of science applied to heritage, developing in particular specific skills for the enhancement of Cultural Heritage through digital tools. She leads projects in collaboration with Bibliothèque national de France (Paris), Institut National d’Histoire de l’Art (Paris), Ecole nationale des chartes (Paris), Université Paris I Panthéon-Sorbonne, Centre Allemand d’Histoire de l’Art (Paris), Musée du Louvre, Archives Nationales de Paris, Bibliothèque Historique de la Ville de Paris, Réunion des Musées Nationaux. She supervised all the urban modeling simulations for the Venice Time Machine project and acted as content curator for all the exhibitions (Venice Biennale, Grand Palais-Paris, Datasquare - ArtLab-Lausanne, Museo Correr-Venice). Head of “Replica” project : digitizing 1 million photos of artworks in the Fondazione Giorgio Cini (Venice) and visual patterns extraction through a search engine for visual similarities. She has a Ph.D in Art History and also studied Archaeology and Urban Studies. She has published essays and articles about Venetian Art and Urban History and participated in many Art exhibitions in European museums. She coordinated summer schools and workshops about Digital Tools for Art History and Urban History. She attended conferences on digital methods for History in universities and patrimonial institutions.
Roger HerschRoger D. Hersch is professor of Computer Science and head of the Peripheral Systems Laboratory at EPFL. He received his engineering degree from ETHZ in 1975, worked in industry from 1975 to 1980, and obtained his PhD degree from EPFL in 1985. He directed the widely known
Visible Human Web Server project
, which offers a number of services for the visualization of human anatomy.
His current research focuses on color reproduction, spectral color prediction models, moiré imaging, and visual document security. Recent achievements include the PhotoProtect technology, which incorporates text as chromatic differences in order to protect identity photographs (Swiss driving license), microstructure imaging, which is used by railways companies (SNCF, RENFE) and festival organizers (Paleo) to print tickets at home and the band moire imaging technology for the protection of security documents.
Martin VetterliMartin Vetterli a été nommé Président de l'École polytechnique fédérale de Lausanne (EPFL) par le Conseil fédéral à l’issue d’un processus de sélection mené par le Conseil des EPF - qui l'a désigné à l'unanimité.
Né à Soleure le 4 octobre 1957, Martin Vetterli a suivi sa scolarité et effectué sa maturité dans le canton de Neuchâtel. Ingénieur en génie électrique de l’ETHZ (1981), diplômé de l’Université de Stanford (1982) et docteur en sciences de l’EPFL (1986), Martin Vetterli a enseigné à Columbia University comme professeur assistant puis associé. Il a ensuite été nommé professeur ordinaire au département du génie électrique et des sciences de l’informatique de l’Université de Berkeley, avant de revenir à l’EPFL en tant que professeur ordinaire à l’âge de 38 ans. Il a également enseigné à l’ETHZ et à l’Université de Stanford.
Ses activités de recherche centrées sur le génie électrique, les sciences de l’informatique et les mathématiques appliquées lui ont valu de nombreuses récompenses nationales et internationales, parmi lesquelles le Prix Latsis National, en 1996. Il est Fellow de l’Association for Computing Machinery et de l'Institute of Electrical and Electronics Engineers et membre de la National Academy of Engineering (NAE) notamment. Martin Vetterli a publié plus de 170 articles et trois ouvrages de référence.
Ses travaux sur la théorie des ondelettes, utilisées dans le traitement du signal, sont reconnus par ses pairs comme étant d’une portée majeure, et ses domaines de prédilection, comme la compression des images et vidéos ou les systèmes de communication auto-organisés, sont au cœur du développement des nouvelles technologies de l’information. En tant que directeur fondateur du Pôle de Recherche National Systèmes mobiles d’information et de communication, le professeur Vetterli est un fervent défenseur de la recherche transdisciplinaire.
Martin Vetterli connaît l’EPFL de l’intérieur. Alumnus de l’Ecole, il y enseigne depuis 1995, a été le vice-président chargé des relations internationales puis des affaires institutionnelles de l’Ecole entre 2004 à 2011, et doyen de la Faculté Informatique et Communication en 2011 et 2012. En parallèle à sa fonction de président du Conseil national de la recherche du Fonds national suisse qu’il a occupé de 2013 à 2016, il dirige le Laboratoire de Communications Audiovisuelles (LCAV) de l’EPFL depuis 1995.
Martin Vetterli a accompagné plus de 60 doctorants en Suisse et aux Etats-Unis pendant leur thèse et se fait un point d’honneur de suivre l’évolution de leur parcours au plus haut niveau, académique ou dans le monde entrepreneurial.
L’ingénieur est l’auteur d’une cinquantaine de brevets qui ont conduit à la création de plusieurs startups issues de son laboratoire, comme Dartfish ou Illusonic, ainsi qu’à des transferts de technologie par le biais de vente de brevets (Qualcomm). Il encourage activement les jeunes chercheurs à poursuivre ces efforts et commercialiser les résultats de leurs travaux.
Emily Clare GrovesEmily is a digital designer, researcher and educator. She has a BSc in Human Sciences from University College London, an MA in Information Experience Design from the Royal College of Art, and an MAS in Design Research for Digital Innovation from the EPFL ECAL Lab. Her interests lie at the intersection of culture, technology and food.
