Concept

Mixage audio

Notebooks associés (7)

Investigating the Effect of Phase on Sound Perception

Hearing the phase of a sound[1]¶

                                      [2]Paolo Prandoni, [3]LCAV, EPFL

In this notebook we will investigate the effect of phase on the perceptual quality of a sound. It is often said that the human ear is commercial-grade audio equipment takes place in the magnitude domain only. In [1]: %matplotlib inline import matplotlib import matplotlib.pyplot as plt import numpy as np import IPython from scipy.io import wavfile In [2]: plt.rcParams["figure.fig

Voice Transformation Techniques Using Digital Signal Processing

A Gallery of Voice Transformers[1]¶

                                      [2]Paolo Prandoni, [3]LCAV, EPFL

In this notebook we will explore various ways to implement a system that changes the voice of a speaker. Typical applications for these techniques, strictly sorted by plausibility, include international spy missions and prank telephone calls, and devices such as the one displayed here can be easily bought on the web... or in a novelty shop. No description has been provided for t

Digital Simulation of Guitar Feedback in I Feel Fine by The Beatles

I Feel Fine, Digitally[1]¶ This notebook is a little musing inspired by the "internal mechanics" of a very famous audio snippet, namely the guitar sound at the beginning of the song "I Feel Fine", written and recorded by the Beatles in 1964. The historical significance of the record lies in the following claim by John Lennon:

 "I defy anybody to find a record... unless it is some old blues
 record from 1922... that uses feedback that way. So I claim it for
 the Beatles. Before H

Adaptive Echo Cancellation using LMS Filter

Adaptive Echo Cancellation[1]¶

                                      [2]Paolo Prandoni, [3]LCAV, EPFL

In this notebook we will use the adaptive LMS filter to estimate the impulse response of a reverberating room. A typical use case is handsfree telephony: since the received signal, amplified and played by the speaker, is picked up by the microphone, we need to eliminate it from the signal that is transmitted back in order to avoid a feedback loop. The signal picked up by the microph

Block Processing of Audio Files Using Stateful FIR Filters

Block-processing of audio files[1]¶

                                      [2]Paolo Prandoni, [3]LCAV, EPFL

This notebook shows a simple way to process audio files (in WAV format) in a block-by-block fashion; this is useful in two cases 1. when you want to process a data stream in real time but you can accept a small processing delay; in this case a buffered approach can yield computational gains 2. when you need to process a large file that does not fit entirely into

Whistle-Activated Keylock System Implementation

Whistling Keylock[1]¶ In this notebook we will implement a simple "whistle-activated" keylock, that is, an access control system where the password is a pre-defined melody. To program the lock, you record your musical passphrase and then, to open the lock, you whistle it back. Although the implementation will be simple and skip most of the fine details that would be necessary to produce a truly robust system, we need to take into account at least the following points: * The syste

Exploring Quantization and Oversampling through One-Bit Music

One-Bit Music[1]¶ In this notebook we will talk about quantization and oversampling and we will do so by taking a trip down memory lane to revisit the early from monophonic square waves, introduce polyphony by way of pulse-width modulation and finish with the basics of sigma-delta quantization. pacman In [1]: import matplotlib import matplotlib.pyplot as plt import numpy as np import scipy.signal as sp from scipy.io import wavfile import IPython In [2]: import sys ! wget -q -O mus

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