Concept
Ruggiero (often translated Rogero in English) is a leading character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic Aspremont, reworked by Andrea da Barberino as the chivalric romance Aspramonte. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems. He is the son of a Christian knight (Ruggiero II of Reggio Calabria, a descendant of Astyanax, son of Hector) and a Saracen lady (Galaciella, daughter of Agolant, king of Africa). When Ruggiero's father is betrayed and murdered, his mother escapes to the sea by boat, lands on the shores of Libya and dies after giving birth to twins. Ruggiero is raised since infancy by the wizard Atlante in Africa as a Saracen warrior (in Ariosto, Marfisa is Ruggiero's twin sister). Ruggiero is the subject of two possible prophecies. His first possible fate is to convert to Christianity, marry Bradamante and sire a line of heroes that lead to the noble house of Este in Italy, but will be betrayed and killed soon after his marriage. His second possible fate is to remain a Saracen and be the cause of the downfall of the Frankish Empire. Atlante is fiercely protective of Ruggiero and keeps him hidden in an invisible castle on the top of Mount Carena in Africa. King Agramante of Africa proposes invading France and gathers his war council together at his palace in Biserta. The king from Garamanta rose and prophesied that such an invasion was doomed unless they had the youth Ruggiero on their side. He was the key to their victory. (Garamanta did not know of the other possible prophecy regarding Ruggiero.) Agramante sent search parties looking for Ruggiero, but could not find him due to Atlante's sorcery. The thief Brunello was sent east to the kingdom of Cathay to steal a magic ring from Angelica that would remove all enchantments from the wearer's eyes.
