Unit

Digital and Cognitive Musicology Lab

Laboratory

Related publications (31)

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Learning music composition with recurrent neural networks

Florian François Colombo

Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

EPFL2021

A Formal Model of Extended Tonal Harmony

Martin Alois Rohrmeier, Fabian Claude Moss

Extended tonality is a central system that characterizes the music from the 19th up to the 21st century, including styles like popular music, film music or Jazz. Developing from classical major-minor tonality, the harmonic language of extended tonality for ...

2021

The experience of musical structure as computation : what can we learn?

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

This paper presents an overview of the epistemological grounding of the computational approach to musical syntax as a tool to advance our understanding of the cognitive underpinnings of the musical experience. From the proposed perspective, formulations of ...

2021

The Annotated Mozart Sonatas: Score, Harmony, and Cadence

Martin Alois Rohrmeier, Johannes Hentschel, Markus Franz Josef Neuwirth

This article describes a new expert-labelled dataset featuring harmonic, phrase, and cadence analyses of all piano sonatas by W.A. Mozart. The dataset draws on the DCML standard for harmonic annotation and is being published adopting the FAIR principles of ...

2021

Modeling and Inferring Proto-Voice Structure in Free Polyphony

Martin Alois Rohrmeier

Voice leading is considered to play an important role in the structure of Western tonal music. However, the explicit voice assignment of a piece (if present at all) generally does not reflect all phenomena related to voice leading. Instead, voice-leading p ...

ISMIR2021

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

Martin Alois Rohrmeier, Fabian Claude Moss, Daniel Harasim

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of ...

2021

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Daniel Harasim

Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style. The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...

EPFL2020

The Tonal Diffusion Model

Fabian Claude Moss

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

2020

Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

Martin Alois Rohrmeier, Fabian Claude Moss

This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the cho ...

2020

The Impact of Voice Leading and Harmony on Musical Expectancy

Martin Alois Rohrmeier, Markus Franz Josef Neuwirth, Robert Lieck, Leona Franziska Wall

In Western tonal music, voice leading (VL) and harmony are two central concepts influencing whether a musical sequence is perceived as well-formed. However, experimental studies have primarily focused on the effect of harmony on the cognitive processing of ...

Nature Research2020

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