François BonFrançois Bon, born on 22 May 1953 in Luçon, is a French writer and translator. François Bon published his first novel in 1982, Sortie d'usine. He then earned a creative residency at the Villa Médicis in 1984, and has since worked in literature, as a writer, translator, performer or publisher. François Bon has written essays, novels, radio programs, poetry as well as theatre or children's literature. In 2010, he began a series of translations of novels and essays by the American author H.
Dan PoncetDan Poncet is a contemporary French painter. Born on 14 July 1953 at the château de Saint-Just in Ain department, France. She graduated in 1972 from the École nationale supérieure d'architecture de Lyon and thereafter from the École nationale des beaux-arts de Lyon. Her first paintings show an influence of impressionism and of fauvism. After 1975 she returned to realism and to old techniques used in 17th-century paintings, such as glaze, pâtes or demi-pâtes.
La marche à l'amour"La marche à l'amour" is a poem by Gaston Miron (1928–1996), one of the most studied and celebrated in Quebec poetry. It was originally published in Le nouveau journal in 1962, in a cycle of seven poems also entitled "La marche à l'amour". A slightly revised version was published in 1970 in the book L'homme rapaillé (the poem would again be revised in a later edition).
Danielle BleitrachDanielle Bleitrach (born 1938) is a French sociologist and journalist. From the 1970s through the end of the century, she was CNRS researcher and lecturer at the Aix-Marseille University, focusing on the sociology of the working class and urbanization. From 1981 to 1996 she was a member of the Central Committee of the Communist Party of France, then the National Committee of the Party. She was also assistant editor-in-chief of the party weekly Révolution. She has contributed to La Pensée, Les Temps Modernes and Le Monde Diplomatique.
List of apocalyptic and post-apocalyptic fictionApocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster. Post-apocalyptic fiction is set in a world or civilization after such a disaster.
Proto-CubismProto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse.
Hagia SophiaHagia Sophia ( 'Holy Wisdom'; Ayasofya; Hagía Sophía; Sancta Sapientia), officially the Hagia Sophia Mosque (Ayasofya-i Kebir Cami-i Şerifi), is a mosque and a major cultural and historical site in Istanbul, Turkey. The last of three church buildings to be successively erected on the site by the Eastern Roman Empire, it was completed in 537 AD. It was an Orthodox church until the Ottoman conquest of Constantinople in 1453, then a mosque until 1935, then a museum and then from 2020 a mosque again, as well as being a Roman Catholic cathedral for some decades after the Fourth Crusade of 1204.
Apocalyptic and post-apocalyptic fictionApocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's (or another planet's) civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
