Toward an Ontological Model for Audiovisual Archive Datafication

With the initiatives like Collections as Data and Computational Archival Science, archives are no longer seen as a static documentation of objects, but evolving sources of cultural and historical data. This work emphasizes the potential updates in preserving and documenting digital audiovisual (AV) content from a data perspective, considering the recent developments in natural language processing and computer vision tasks, as well as the emergence of interactive and embodied experiences and interfaces for innovatively accessing archival content. As part of Swiss national scientific fund Sinergia project, this work was able to work end-to-end with real-world AV archives like Télévision Suisse Romande (RTS). Resorting to an updated narrative model for mapping data that can be obtained from the content as well as the consumer, this work proposed an experimental attempt to build an ontology to formally sum up the potential new paradigm for preservation and accessibility from a data perspective for modern archives, in the hope for nurturing a digital and data driven mind-set for archive practices.