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This article presents a selection of collages by contemporary Italian architects, featured as visual discourses rather than representations of specific projects. Created through both analog and digital techniques, these images explore architecture as a conceptual practice rooted in montage, photorealism, and abstraction. Introduced by a Warburg-inspired visual atlas tracing a genealogy of Italian collage, the works engage with historical strategies of plausibility and surprise. By combining familiar everyday settings with non-functional architectural insertions, the collages generate a critical tension between realistic technique and conceptual estrangement—reinforcing their narrative and symbolic potency.