Publications related to The pleasantness of sensory dissonance is mediated by musical style and expertise

Related publications (30)

Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Diachronic stylistic changes in music are to a large extent affected by composers' different choices, for example regarding the usage of tones, intervals, and harmonies. Analyzing the tonal content of pieces of music and observing them over time is thus in ...

Springernature2024

Data-Driven Music Theory: Curating and Investigating Large Corpora of Digitally Encoded Music Analyses

Johannes Hentschel

This dissertation on data-driven music theory is centered around curatorial practices concerning the creation, publication, and evaluation of large, expert-annotated symbolic datasets. With its primary interest in the harmony of European tonal music from i ...

EPFL2024

Hearing structure in music: An empirical inquiry into listening as representation and processing

Gabriele Cecchetti

As a universal expression of human creativity, music is capable of conveying great subtlety and complexity. Crucially, this complexity is not encoded in the score or in the sounds, but is rather construed in the mind of the listener in the form of nuanced ...

EPFL2024

The Structure of Free Polyphony

Christoph Finkensiep

The human ability to perceive and understand music is remarkable. From an unstructured stream of acoustic input it creates a wide range of experiences, from psycho-acoustic effects to emotional and aesthetic responses. One such set of phenomena is the expe ...

EPFL2023

The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform

Martin Alois Rohrmeier, Johannes Hentschel, Gabriele Cecchetti

Claude Debussy’s personal style is typically characterised as a departure from earlier diatonic tonality, including a greater variety of pitch-class materials organised in fragmented yet coherent compositions. Exploiting the music-theoretical interpretabil ...

2023

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

Music can be interpreted by attributing syntactic relationships to sequential musical events, and, computationally, such musical interpretation represents an analogous combinatorial task to syntactic processing in language. While this perspective has been ...

Wiley2023

Fishing for complements with chord, scale, and rhythm nets

Daniel Harasim

The aim of this paper is to argue that complementation is an operation similarly fundamental to music theory as transposition and inversion. We focus on studying the chromatic complement mapping that translates diatonic seventh chords into 8-note scales wh ...

TAYLOR & FRANCIS LTD2023

Automated music composition and generation system and method

Florian François Colombo

An automated music composition and generation system for automatically harmonizing digital pieces of music using an automated music composition and generation engine for multi-voice music harmonization, including a system-user interface configured to input ...

2023

ms3: A parser for MuseScore files, serving as data factory for annotated music corpora

Martin Alois Rohrmeier, Johannes Hentschel

The Python library ms3 makes scores (symbolic representations of music) operational for computational approaches by representing their contents as sets of tabular files. Music scores represent relations between sounding events by graphical means. The Free ...

2023

The Claude Debussy Solo Piano Corpus

Martin Alois Rohrmeier, Johannes Hentschel, Gabriele Cecchetti

This dataset originates from the DCML corpus initiative and contains musicological research data. For more information, please refer to its documentation page https://dcmlab.github.io/debussy_piano Please cite this dataset as Laneve, S., Schaerf ...

Zenodo2023

MuseReduce: A Generic Framework for Hierarchical Music Analysis

Martin Alois Rohrmeier, Petter Harald Ericson

In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal r ...

Humanities Commons2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Steffen Alexander Herff, Daniel Harasim, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Fabian Claude Moss, Daniel Harasim

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

midiVERTO: A Web Application to Visualize Tonality in Real Time

Fabian Claude Moss, Daniel Harasim

This paper presents a web application for visualizing the tonality of a piece of music-the organization of its chords and scales-at a high level of abstraction and with coordinated playback. The application applies the discrete Fourier transform to the pit ...

SPRINGER INTERNATIONAL PUBLISHING AG2022

Growth, timing, & trajectory of vortices behind a rotating plate

Diego Francescangeli

The presence of aerodynamic vortices is widespread in nature. They can be found at small scales near the wing tip of flying insects or at bigger scale in the form of hurricanes, cyclones or even galaxies. They are identified as coherent regions of high vor ...

EPFL2022

Musical Garden Paths: Evidence for Syntactic Revision Beyond the Linguistic Domain

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

While theoretical and empirical insights suggest that the capacity to represent and process complex syntax is crucial in language as well as other domains, it is still unclear whether specific parsing mechanisms are also shared across domains. Focusing on ...

Wiley2022

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Learning music composition with recurrent neural networks

Florian François Colombo

Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

EPFL2021

A Formal Model of Extended Tonal Harmony

Martin Alois Rohrmeier, Fabian Claude Moss

Extended tonality is a central system that characterizes the music from the 19th up to the 21st century, including styles like popular music, film music or Jazz. Developing from classical major-minor tonality, the harmonic language of extended tonality for ...

2021

Music influences vividness and content of imagined journeys in a directed visual imagery task

Ken Jacques Alfonso Deguernel, Steffen Alexander Herff, Gabriele Cecchetti

Directed, intentional imagination is pivotal for self-regulation in the form of escapism and therapies for a wide variety of mental health conditions, such anxiety and stress disorders, as well as phobias. Clinical application in particular benefits from i ...

Nature Portfolio2021