Publication

Syntaxmodelle

2025

Abstract

Der Beitrag liefert die theoretischen Grundlagen formaler Syntaxtheorien und beschreibt verschiedene Grammatiktypen: »reguläre« und »kontextfreie« Grammatiken. Im Anschluss an einen knappen historischen Überblick über musikalische Syntaxansätze werden diese Grammatiktypen durch prominente moderne Syntaxtheorien illustriert: das Markov-Modell von Tymoczko, die Generative Theory of Tonal Music (GTTM) von Lerdahl und Jackendoff sowie das Generative Syntax Model (GSM) von Rohrmeier. Die Unterschiede zwischen GTTM und GSM werden anhand des Hauptthemas aus Mozarts »Là ci darem la mano« herausgearbeitet. Der Beitrag schließt mit Überlegungen zu den grundsätzlichen Unterschieden zwischen musikalischer und sprachlicher Syntax und eröffnet Perspektiven für zukünftige Forschung, die etwa den Zusammenhang von Syntax und Form betreffen.

Official source

https://infoscience.epfl.ch/entities/publication/2688a7ef-e8d1-4555-a38e-fb889cad1775

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2025

Abstract

Official source

https://infoscience.epfl.ch/entities/publication/2688a7ef-e8d1-4555-a38e-fb889cad1775

About this result

Related concepts (6)

Tonality

Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C can be both the tonic of the scale and the root of the tonic chord (when it is C–E–G). The tonic can be a different note in the same scale, when the work is said to be in one of the modes of the scale.

Atonality

Atonality in its broadest sense is music that lacks a tonal center, or key. Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term atonality describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries.

Tonic (music)

In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C.

Related publications (1)

Syntaxmodelle

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A Graphical Model for Chord Progressions Embedded in a Psychoacoustic Space