Martin Alois Rohrmeier

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This corpus of annotated MuseScore files has been created within the DCML corpus initiative and employs the DCML harmony annotation standard. It is one out of nine similar corpora that have been grouped together to An Annotated Corpus of Tonal Piano Music ...

Memories of most stimuli in the auditory and other domains are prone to the disruptive interference of intervening events, whereby memory performance continuously declines as the number of intervening events increases. However, melodies in a familiar music ...

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of ...

This article describes a new expert-labelled dataset featuring harmonic, phrase, and cadence analyses of all piano sonatas by W.A. Mozart. The dataset draws on the DCML standard for harmonic annotation and is being published adopting the FAIR principles of ...

Studies in psycho-linguistics have provided compelling evidence that theoretical syntactic structures have cognitive correlates that inform and influence language perception. Generative grammar models also present a principled way to represent a plethora o ...

Many structural aspects of music, such as tonality, can be expressed using hierarchical representations. In music analysis, so-called keyscapes can be used to map a key estimate (e.g., C major, F minor) to each subsection of a piece of music, thus providin ...

This dataset originates from the DCML corpus initiative and contains musicological research data. For more information, please refer to its documentation page https://dcmlab.github.io/debussy_piano Please cite this dataset as Laneve, S., Schaerf ...

Music is a product of both biological and cultural evolution. Cultural transmission is the engine of cultural evolution and may play a role in the establishment of musical universals. Here, we examined how transmission dynamics can shape melodic features i ...

Western musical styles use a large variety of chords and vertical sonorities. Based on objective acoustical properties, chords can be situated on a dissonant-consonant continuum. While this might to some extent converge with the unpleasant-pleasant continu ...

Linguistic research showed that the depth of syntactic embedding is reflected in brain theta power. Here, we test whether this also extends to non-linguistic stimuli, specifically music. We used a hierarchical model of musical syntax to continuously quanti ...

Hierarchical models of music allow explanation of highly complex musical structure based on the general principle of recursive elaboration and a small set of orthogonal operations. Recent approaches to melodic elaboration have converged to a representation ...

We present a dataset of 264 annotated piano pieces of nine composers, composed in the long 19th century (https://doi.org/10.5281/zenodo.7483349). Annotations adhere to the DCML harmony annotation standard and include Roman numerals, phrase boundaries, and ...

Tonal harmony is one of the central organization systems of Western music. This article characterizes the statistical foundations of tonal harmony based on the computational analysis of expert annotations in a large corpus. Using resampling methods, this s ...

This paper presents an overview of the epistemological grounding of the computational approach to musical syntax as a tool to advance our understanding of the cognitive underpinnings of the musical experience. From the proposed perspective, formulations of ...

In this study, we determine the fundamental role of the line of fifths for the organization of tonal material by applying dimensionality reduction to a large historical corpus of pitch-class counts (ca. 1360-1940). We observe a historically growing trend i ...

In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal r ...

Martin Alois Rohrmeier

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Robert Schumann - Kinderszenen (A corpus of annotated scores)

Musical syntactic structure improves memory for melody: evidence from the processing of ambiguous melodies

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

The Annotated Mozart Sonatas: Score, Harmony, and Cadence

Franz Liszt - Années de Pèlerinage (A corpus of annotated scores)

Claude Debussy - Suite Bergamasque (A corpus of annotated scores)

Hierarchical syntactic structure predicts listeners’ sequence completion in music

Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform

The Claude Debussy Solo Piano Corpus

Nikolai Medtner - Tales (A corpus of annotated scores)

Core principles of melodic organisation emerge from transmission chains with random melodies

The pleasantness of sensory dissonance is mediated by musical style and expertise

Hierarchical syntax model of music predicts theta power during music listening

Ludwig van Beethoven - Piano Sonatas (A corpus of annotated scores)

Modelling the Syntax of North Indian Melodies with a Generalized Graph Grammar

An Annotated Corpus of Tonal Piano Music from the Long 19th Century

Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets

The experience of musical structure as computation : what can we learn?

The line of fifths and the co-evolution of tonal pitch-classes

MuseReduce: A Generic Framework for Hierarchical Music Analysis