Lecture

Geometric Structures: Stereotomy

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In course

AR-211: Stereotomy

La Stéréotomie est l'art de concevoir et fabriquer des volumes complexes en pierre et des assemblages en bois. Ce cours propose une réinterprétation de la Stéréotomie avec différents outils, une réflexion sur la géométrie, les processus de fabrication, les ...

Description

This lecture covers the traditional vocabulary related to the cutting and assembly of stone blocks, the techniques used in the cutting and assembly of variable piece families, and the modeling of 3D components with parametric and geometric drivers. It also includes a historical overview of geometric structures from the Renaissance period to the present, focusing on the emergence of projective geometry in stereotomy.

Instructors (5)

Sebastian Duque Mahecha

Teaching & PhD Courses Stereotomy AR-211 Stereotomy is the art of designing and crafting complex stone volumes and wooden assemblies. This course offers a reinterpretation of Stereotomy with various tools, a reflection on geometry, manufacturing processes, modes of representation, visualization, and communication.

Ignacio Ferrer Perez-Blanco

Stefana Parascho

Teaching & PhD PhD Students Jingwen Wang, Gabriel Vallat, Maxence Grangeot, Eleni Maria Skevaki, Wenqian Yang, Megi Sinani Courses Capitalizing on Uncertainty AR-809 SUMMER SCHOOL - Capitalizing on Uncertainty is a 6-day Summer school exploring uncertainty as a productive resource in design and fabrication through lectures, hands-on experiments, and the collaborative design and construction of a full-scale structure in a human-robot fabrication setting. Digital design and making: A criti

Marie-Pierre Zufferey

Diplôme d'Architecture à l'EPFL en 1988 (prix SIA, section Vaud, du meilleur travail pratique de diplôme). Collaboration avec plusieurs bureaux d'architecture et, en parallèle, rédaction d'une thèse de doctorat suivie de l'obtention en 1992 du titre de Docteur ès Sciences. Bureau indépendant de 1996 à 2008; enseignement dans plusieurs écoles (dessin technique, peinture, couleurs). De 1999 à 2004, première assistante chez les professeurs Arduino Cantàfora (CRE) et Georges Abou Jaoudé (LIV, cours théorique, visualisation et représentation informatique). De 2005 à 2011, collaboratrice scientifique et chargée de cours auprès du professeur A. Cantàfora (CRE, chaire de représentation et expression) : enseignement pratique du dessin, peinture, et taille de la pierre, et théorique, analyse d'images, techniques de représentation, modes de communication, auprès des étudiants d'architecture de différents niveaux; rédaction de documentation pédagogique (cahiers d'appui des cours). Charge de cours pour une Unité d'Enseignement ENAC intitulée "Lectures du paysage par le biais de l'image et de l'art" avec Robert Ireland de 2006 à 2008. Responsable d'une nouvelle Unité d'Enseignement ENAC sur "les murs de soutènement urbains", printemps 2009 et 2010, avec O. Burdet, A. Parriaux, J-L. Moret. Participation ponctuelle en 2011, 2013 et 2014, pour l'UE-ENAC "Learning from vernacular", du professeur Pierre Frey sur la pierre et les traces de la main dans l'architecture vernaculaire. Recherche personnelle en cours sur les socles à la Renaissance italienne et française, en lien avec les professeurs Volker Hoffmann (Würzburg) et Roberto Gargiani (EPFL). Domaines d'intérêt spécifique: l'architecture à la Renaissance; la taille de la pierre et la stéréotomie; le dessin d'observation scientifique, la peinture et la gravure; la philosophie.

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Related concepts (32)

Renaissance

The Renaissance (UKrᵻˈneɪsəns , USˈrɛnəsɑːns ) is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century.

Renaissance art

Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge.

Muqarnas

Muqarnas (مقرنص; مقرنس, or آهوپای), also known in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings. It was most likely first developed in eleventh-century Iraq, though the earliest preserved examples are also found outside this region. The muqarnas structure originated from the squinch.

Renaissance in Poland

The Renaissance in Poland (Renesans, Odrodzenie; literally: the Rebirth) lasted from the late 15th to the late 16th century and is widely considered to have been the Golden Age of Polish culture. Ruled by the Jagiellonian dynasty, the Crown of the Kingdom of Poland (from 1569 part of the Polish–Lithuanian Commonwealth) actively participated in the broad European Renaissance. The multinational Polish state experienced a period of cultural growth thanks in part to a century without major wars, aside from conflicts in the sparsely-populated eastern and southern borderlands.

Italian Renaissance

The Italian Renaissance (Rinascimento rinaʃʃiˈmento) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted.

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