Lecture

From Heritage Collection to Innovation Platform: Montreux Jazz Digital Project

Graph Chat

Chat with Graph Search

Ask any question about EPFL courses, lectures, exercises, research, news, etc. or try the example questions below.

DISCLAIMER: The Graph Chatbot is not programmed to provide explicit or categorical answers to your questions. Rather, it transforms your questions into API requests that are distributed across the various IT services officially administered by EPFL. Its purpose is solely to collect and recommend relevant references to content that you can explore to help you answer your questions.

In course

HUM-468: Montreux Jazz Memories: Heritage & digitalization I

Dans le cadre du Montreux Jazz Digital Project, ce cours propose de créer et de publier des podcasts (FR/ENG) à partir d'interviews sur les coulisses du festival. Il vise à développer des connaissances critiques et pratiques dans les dynamiques de numérisa ...

Description

This lecture explores the Montreux Jazz Digital Project, focusing on the transition from a heritage collection to an innovation platform. It covers topics such as content enhancement tools, visual and audio augmentation, advances in concert capture and imaging, ongoing digitization efforts, cultural innovation programs, and interest in DNA storage for archiving. The speaker, Alain Dufaux, discusses the immersive experiences, social interactions, and technological advancements that have shaped the project, highlighting collaborations with various institutions and ongoing research projects.

Instructors (2)

Alain Dufaux

After obtaining a diploma of electrical engineer in 1994 at EPFL (Swiss Federal Institute of Technology, Lausanne, Switzerland), Alain Dufaux has joined the Institute of Microtechnology (IMT) of the University of Neuchâtel, in the team of Professor Pellandini (Electronics and Signal Processing Laboratory). His research activities were first dedicated to speech compression and recognition, and then, he specialized in audio processing. His PhD thesis, presented in 2001, concerned detection and recognition of impulsive sound signals. Still in 2001, Alain Dufaux participated to the Launch of the company Dspfactory SA in Marin, emerged from Dspfactory Ltd. in Canada. Active in the field of ultra-low-power DSP processors for applications like hearing aids, consumer audio or medical devices, this company was acquired in 2004 by the worldwide company AMI Semiconductor. During 6 years, Alain occupied several positions: - Head of signal processing group in the Advanced Application department; - Senior member of the Applied DSP and embedded software group in Canada, developing low-power audio algorithms; - Signal processing specialist in the european customer support team, especially active in trainings and tutorials dedicated to low-delay multirate filterbanks and low-power signal processing techniques for hearing aids. Alain was back at EPFL in November 2006, at first as head of the Vision & Embedded DSP Group in the Laboratory of Microengineering for Manufacturing (LPM). In this role, most of the effort was dedicated to team management, definition of research projects or partnerships with industries, project follow-up, and support or co-direction of the PhD thesis of the lab. In October 2008, Alain also became responsible for the management of the Micro-assembly group of the LPM, and was enrolled as co-lecturer for the course "Méthodes de Production". In Spring 2011, Alain Dufaux has joined the MetaMedia Center (MMC) recently launched by the Vice-Presidence for Innovation and Valorization (VPIV). Acting as project manager, his activity is split between the operational tasks of the Montreux Jazz Digital Project, and the numerous innovation projects initiated by the MMC in partnership with the labs of EPFL working around acoustics, signal processing or multimedia. Since June 2014, Alain is the operation & development director of the Metamedia Center.

Florence Graezer Bideau

Senior Lecturer and Senior Scientist at the College of Humanities and at the School of Architecture, EPFLVisiting Professor at the Department of Architecture and Design, Politecnico di Torino PhD in History and Civilization (EHESS, Paris) Director of the Minor in Area and Cultural Studies (MACS) between 2012 and 2016Member of the Research group Heritage, culture and the cityAssociated researcher at the China Room Research Group and South China-Torino Collaboration Lab, Politecnico di Torino Associate member of the Laboratoire d’anthropologie culturelle et sociale (LACS), UNIL Member of the EDAR committee (Doctoral Program Architecture and Sciences of the City) at the School of Architecture, Civil and Environment Engineering in EPFL Florence Graezer Bideau trained as an anthropologist and a sinologist, and received her PhD in History and Civilization in 2005. Before joining the Centre for Area and Cultural Studies (CACS) at EPFL in 2010, she was a lecturer in anthropology at the University of Lausanne, where she taught courses in cultural theory and fieldwork methodology. She is Senior Lecturer and Senior Scientist at the College of Humanities where she teaches area studies, anthropology of China, critical heritage studies and urban studies. She has been acting as Director of the Minor in Area and Cultural Studies between 2012 and 2016 and she is currently a member of the EDAR committee (Doctoral Program Architecture and Sciences of the City) at the School of Architecture, Civil and Environment Engineering in EPFL. Since 2015, Florence has also been Visiting Professor at the Department of Architecture and Design, Politecnico di Torino, Italy. Her fields of expertise include anthropology of China, urban sociology, modes of sociability and governmentality. Florence’s research is on the relation between culture and power (making of cultural policy in China; emergence of maker movement (makerspaces) and politics of innovation in China), heritage issues (process of heritagization and multiculturalism in Malaysia and Singapore; implementation of the UNESCO Convention for Safeguarding Intangible Cultural Heritage in Switzerland; historic urban landscape in heritage policy of Beijing, Rome and Mexico City), and the making of the city (informal resistances toward the violence of urbanism in Caracas, Chennai and Guangzhou; uses of public spaces in Chinese new towns).

Official source

Related concepts (10)

Technological change

Technological change (TC) or technological development is the overall process of invention, innovation and diffusion of technology or processes.From [[The New Palgrave Dictionary of technical change" by S. Metcalfe. • "biased and biased technological change" by Peter L. Rousseau. • "skill-biased technical change" by Giovanni L. Violante.

Technological revolution

A technological revolution is a period in which one or more technologies is replaced by another novel technology in a short amount of time. It is an era of accelerated technological progress characterized by innovations whose rapid application and diffusion typically cause an abrupt change in society. A technological revolution generally increases productivity and efficiency. It may involve material or ideological changes caused by the introduction of a device or system.

Technological singularity

The technological singularity—or simply the singularity—is a hypothetical future point in time at which technological growth becomes uncontrollable and irreversible, resulting in unforeseeable changes to human civilization. According to the most popular version of the singularity hypothesis, I. J. Good's intelligence explosion model, an upgradable intelligent agent will eventually enter a "runaway reaction" of self-improvement cycles, each new and more intelligent generation appearing more and more rapidly, causing an "explosion" in intelligence and resulting in a powerful superintelligence that qualitatively far surpasses all human intelligence.

Innovation

Innovation is the practical implementation of ideas that result in the introduction of new goods or services or improvement in offering goods or services. ISO TC 279 in the standard ISO 56000:2020 defines innovation as "a new or changed entity realizing or redistributing value". Others have different definitions; a common element in the definitions is a focus on newness, improvement, and spread of ideas or technologies.

Heritage tourism

Cultural heritage tourism (or just heritage tourism) is a branch of tourism oriented towards the cultural heritage of the location where tourism is occurring. The National Trust for Historic Preservation in the United States defines heritage tourism as "traveling to experience the places, artifacts and activities that authentically represent the stories and people of the past", and "heritage tourism can include cultural, historic and natural resources".

Related lectures (11)

Personalized Medicine: The Future of Healthcare

Delves into personalized medicine, showcasing recent technological advances and challenges in healthcare.

Economic Discovery and Innovation

Explores economic discovery and innovation, showcasing how new ideas must grip the economy to transform society and improve living standards.

Absorption and Appropriation in Emerging Markets

Delves into absorption and appropriation of technologies in emerging markets, exploring their impact on economic growth.

Architecture and Society: Innovations, Critique, and Autonomy

Delves into the complex relationship between architecture and society, exploring the possibilities of creating autonomous and critical architectural designs.

Mission Innovation: Incentivizing Technologies