Lecture

From a Collection to an Innovation Platform: Montreux Jazz Digital Project

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In course

HUM-468: Montreux Jazz Memories: Heritage & digitalization I

Dans le cadre du Montreux Jazz Digital Project, ce cours propose de créer et de publier des podcasts (FR/ENG) à partir d'interviews sur les coulisses du festival. Il vise à développer des connaissances critiques et pratiques dans les dynamiques de numérisa ...

Description

This lecture explores the Montreux Jazz Digital Project, initiated in 2007 to digitize and preserve the Montreux Jazz Festival's vast audiovisual collection. The project covers the festival's history, digitization process, database organization, and innovative uses of the archive. It delves into the challenges and achievements of transforming a cultural heritage collection into a cutting-edge innovation platform, highlighting the importance of archiving for future generations and fostering research and education. The presentation showcases the extensive digitization efforts, the creation of a comprehensive database, and the strategic partnerships that have enabled the project's success, ultimately positioning it as a pioneering initiative in the preservation and valorization of cultural heritage through digital means.

Instructors (2)

Alain Dufaux

After obtaining a diploma of electrical engineer in 1994 at EPFL (Swiss Federal Institute of Technology, Lausanne, Switzerland), Alain Dufaux has joined the Institute of Microtechnology (IMT) of the University of Neuchâtel, in the team of Professor Pellandini (Electronics and Signal Processing Laboratory). His research activities were first dedicated to speech compression and recognition, and then, he specialized in audio processing. His PhD thesis, presented in 2001, concerned detection and recognition of impulsive sound signals. Still in 2001, Alain Dufaux participated to the Launch of the company Dspfactory SA in Marin, emerged from Dspfactory Ltd. in Canada. Active in the field of ultra-low-power DSP processors for applications like hearing aids, consumer audio or medical devices, this company was acquired in 2004 by the worldwide company AMI Semiconductor. During 6 years, Alain occupied several positions: - Head of signal processing group in the Advanced Application department; - Senior member of the Applied DSP and embedded software group in Canada, developing low-power audio algorithms; - Signal processing specialist in the european customer support team, especially active in trainings and tutorials dedicated to low-delay multirate filterbanks and low-power signal processing techniques for hearing aids. Alain was back at EPFL in November 2006, at first as head of the Vision & Embedded DSP Group in the Laboratory of Microengineering for Manufacturing (LPM). In this role, most of the effort was dedicated to team management, definition of research projects or partnerships with industries, project follow-up, and support or co-direction of the PhD thesis of the lab. In October 2008, Alain also became responsible for the management of the Micro-assembly group of the LPM, and was enrolled as co-lecturer for the course "Méthodes de Production". In Spring 2011, Alain Dufaux has joined the MetaMedia Center (MMC) recently launched by the Vice-Presidence for Innovation and Valorization (VPIV). Acting as project manager, his activity is split between the operational tasks of the Montreux Jazz Digital Project, and the numerous innovation projects initiated by the MMC in partnership with the labs of EPFL working around acoustics, signal processing or multimedia. Since June 2014, Alain is the operation & development director of the Metamedia Center.

Florence Graezer Bideau

Senior Lecturer and Senior Scientist at the College of Humanities and at the School of Architecture, EPFLVisiting Professor at the Department of Architecture and Design, Politecnico di Torino PhD in History and Civilization (EHESS, Paris) Director of the Minor in Area and Cultural Studies (MACS) between 2012 and 2016Member of the Research group Heritage, culture and the cityAssociated researcher at the China Room Research Group and South China-Torino Collaboration Lab, Politecnico di Torino Associate member of the Laboratoire d’anthropologie culturelle et sociale (LACS), UNIL Member of the EDAR committee (Doctoral Program Architecture and Sciences of the City) at the School of Architecture, Civil and Environment Engineering in EPFL Florence Graezer Bideau trained as an anthropologist and a sinologist, and received her PhD in History and Civilization in 2005. Before joining the Centre for Area and Cultural Studies (CACS) at EPFL in 2010, she was a lecturer in anthropology at the University of Lausanne, where she taught courses in cultural theory and fieldwork methodology. She is Senior Lecturer and Senior Scientist at the College of Humanities where she teaches area studies, anthropology of China, critical heritage studies and urban studies. She has been acting as Director of the Minor in Area and Cultural Studies between 2012 and 2016 and she is currently a member of the EDAR committee (Doctoral Program Architecture and Sciences of the City) at the School of Architecture, Civil and Environment Engineering in EPFL. Since 2015, Florence has also been Visiting Professor at the Department of Architecture and Design, Politecnico di Torino, Italy. Her fields of expertise include anthropology of China, urban sociology, modes of sociability and governmentality. Florence’s research is on the relation between culture and power (making of cultural policy in China; emergence of maker movement (makerspaces) and politics of innovation in China), heritage issues (process of heritagization and multiculturalism in Malaysia and Singapore; implementation of the UNESCO Convention for Safeguarding Intangible Cultural Heritage in Switzerland; historic urban landscape in heritage policy of Beijing, Rome and Mexico City), and the making of the city (informal resistances toward the violence of urbanism in Caracas, Chennai and Guangzhou; uses of public spaces in Chinese new towns).

Official source

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Archive

An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities.

Database

In computing, a database is an organized collection of data (also known as a data store) stored and accessed electronically through the use of a database management system. Small databases can be stored on a , while large databases are hosted on computer clusters or cloud storage. The design of databases spans formal techniques and practical considerations, including data modeling, efficient data representation and storage, query languages, security and privacy of sensitive data, and distributed computing issues, including supporting concurrent access and fault tolerance.

Database design

Database design is the organization of data according to a database model. The designer determines what data must be stored and how the data elements interrelate. With this information, they can begin to fit the data to the database model. A database management system manages the data accordingly. Database design involves classifying data and identifying interrelationships. This theoretical representation of the data is called an ontology. The ontology is the theory behind the database's design.

Internet Archive

The Internet Archive is an American digital library founded on May 10, 1996, and chaired by free information advocate Brewster Kahle. It provides free access to collections of digitized materials like websites, software applications, music, audiovisual and print materials. The Archive is also an activist organization, advocating a free and open Internet. , the Internet Archive holds more than 39 million print materials, 11.6 million pieces of audiovisual content, 2.6 million software programs, 15 million audio files, 4.

Digital library

A digital library, also called an online library, an internet library, a digital repository, a library without walls, or a digital collection is an online database of digital objects that can include text, still images, audio, video, digital documents, or other digital media formats or a library accessible through the internet. Objects can consist of digitized content like print or photographs, as well as originally produced digital content like word processor files or social media posts.

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