Lecture

Architecture and Society: Innovations, Critique, and Resistance

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In courses (2)

AR-365: Theory and architectural culture

Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une discipline synthétisant une variété de thèmes (sociales, arti ...

AR-366: Theory and architectural culture: exercises

Le cours offre une méthode pour discerner et comprendre les idées, les théories et les valeurs culturelles dans des bâtiments et des projets d'architecture. ...

Description

This lecture explores the role of architecture and architects in modern society, questioning if architects can shape society or if architecture is determined by social, political, and economic conditions. It delves into the relationship between technological advancements, historical developments, and the architect's task, pondering the possibility of creating autonomous and critical architecture. The discussion extends to the concept of 'critical architecture' challenged by theorists like Michael Hays, Robert Somol, and Sarah Whiting, leading to intense debates in architectural theory. The lecture also examines the influence of prominent figures like Peter Eisenman and Michael Speaks, highlighting the evolution of architectural discourse and the emergence of alternative approaches to criticality.

Instructor

Christophe van Gerrewey

Christophe Van Gerrewey (1982) is an architecture critic and theorist, writing about contemporary buildings, their recent histories and intellectual dimensions, and their connections to society, philosophy, art and literature. In particular, he is an expert on the work of OMA/Rem Koolhaas as well as on Belgian architecture. He is one of the editors of architecture journal OASE, and of art and culture journal De Witte Raaf. In his writings, architecture is considered as a source of comprehensive and integrated knowledge that pertains to diverse disciplines – a way of looking at, and of understanding, many aspects of the world we live in. This gives his activities an unusually broad and comprehensive aspect, transcending divisions of knowledge. Since 2015, he is Assistant Professor Tenure Track of architecture theory at EPFL Lausanne. He was trained as an architect-engineer at Ghent University and as a literary theorist at KU Leuven. In Dutch, his mother tongue, he has published three novels and a collection of essays between 2013 and 2017.

Official source

Related concepts (32)

Architecture

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architectural theory

Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or competition entry. Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in some form since antiquity, and as publishing became more common, architectural theory gained an increased richness.

Critical theory

A critical theory is any approach to social philosophy that focuses on society and culture to attempt to reveal, critique, and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, sociology, history, communication theory, philosophy and feminist theory.

Modern architecture

Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.

Modernism

Modernism is a philosophical, religious, and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete.

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