Lecture

Architectural Influence: Mies, Corbusier, and the Future

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In courses (2)

AR-365: Theory and architectural culture

Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une discipline synthétisant une variété de thèmes (sociales, arti ...

AR-366: Theory and architectural culture: exercises

Le cours offre une méthode pour discerner et comprendre les idées, les théories et les valeurs culturelles dans des bâtiments et des projets d'architecture. ...

Description

This lecture delves into the influence of architectural masters like Mies van der Rohe and Le Corbusier, emphasizing the importance of creativity over imitation. It explores the impact of modern schools of architecture and the need to look back to move forward, drawing inspiration from historical architectures in Japan, India, and Renaissance Italy. The discussion also covers the role of critics in raising awareness about the entitlement to quality architecture and the environment.

Instructor

Christophe van Gerrewey

Christophe Van Gerrewey (1982) is an architecture critic and theorist, writing about contemporary buildings, their recent histories and intellectual dimensions, and their connections to society, philosophy, art and literature. In particular, he is an expert on the work of OMA/Rem Koolhaas as well as on Belgian architecture. He is one of the editors of architecture journal OASE, and of art and culture journal De Witte Raaf. In his writings, architecture is considered as a source of comprehensive and integrated knowledge that pertains to diverse disciplines – a way of looking at, and of understanding, many aspects of the world we live in. This gives his activities an unusually broad and comprehensive aspect, transcending divisions of knowledge. Since 2015, he is Assistant Professor Tenure Track of architecture theory at EPFL Lausanne. He was trained as an architect-engineer at Ghent University and as a literary theorist at KU Leuven. In Dutch, his mother tongue, he has published three novels and a collection of essays between 2013 and 2017.

Official source

Related concepts (32)

Architecture

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Italian Renaissance

The Italian Renaissance (Rinascimento rinaʃʃiˈmento) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted.

Renaissance

The Renaissance (UKrᵻˈneɪsəns , USˈrɛnəsɑːns ) is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century.

Renaissance humanism

Renaissance humanism was a worldview centered on the nature and importance of humanity, that emerged from the study of Classical antiquity. This first began in Italy and then spread across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term humanist (umanista) referred to teachers and students of the humanities, known as the studia humanitatis, which included the study of Latin and Ancient Greek literatures, grammar, rhetoric, history, poetry, and moral philosophy.

Renaissance art

Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge.

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