Lecture

Data Science Visualization with Pandas

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In course

ENG-209: Data science for engineers with Python

Ce cours propose une immersion progressive et complète dans le domaine de la Data Science à travers le langage Python. Il guide les étudiants depuis la manipulation de données brutes jusqu'à la modélisation et l'extraction de connaissances utiles à partir ...

Description

This lecture covers data manipulation and exploration using Python with a focus on visualization techniques. Topics include reshaping dataframes, handling missing values, and combining sensor measurements. Practical exercises involve resampling, interpolating, and visualizing data to identify correlations and trends.

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Instructors (2)

Olivier Verscheure

SWISS DATA SCIENCE CENTER Housed at both EPFL and ETH Zurich, the newly created Swiss Data Science Center (SDSC) will address the fragmentation within today's data and analytics landscapes. The SDSC will be composed of a distributed multi-disciplinary team of data scientists and experts in domains including personalized health and personalized medicine, transportation, earth and environmental science, social science and digital humanities, and economics. The center aims to federate data providers, data and

Jean-Philippe Pellet

Teaching & PhD Courses Data science for engineers with Python ENG-209 This course offers a gradual and comprehensive introduction to the field of Data Science through the Python programming language. It guides students from raw data manipulation to modeling and the extraction of meaningful insights from real-world data.

Official source

Ontological neighbourhood

Computer engineering

Computer data storage: File systems

Mathematics

Analysis: Numerical analysis

Related concepts (32)

Interpolation

In the mathematical field of numerical analysis, interpolation is a type of estimation, a method of constructing (finding) new data points based on the range of a discrete set of known data points. In engineering and science, one often has a number of data points, obtained by sampling or experimentation, which represent the values of a function for a limited number of values of the independent variable. It is often required to interpolate; that is, estimate the value of that function for an intermediate value of the independent variable.

Renku

, or haikai no renga, is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ushin renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially haikai no renga distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry.

Hokku

is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga). From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun (in combination with prose). In the late 19th century, Masaoka Shiki (1867–1902) renamed the standalone hokku as "haiku", and the latter term is now generally applied retrospectively to all hokku appearing independently of renku or renga, irrespective of when they were written.

Kireji

are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga). There is no exact equivalent of kireji in English, and its function can be difficult to define. It is said to supply structural support to the verse. When placed at the end of a verse, it provides a dignified ending, concluding the verse with a heightened sense of closure.

Renga

Renga (連歌, linked poem) is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as tsukuba no michi (筑波の道 The Way of Tsukuba) after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres haikai (俳諧) and haiku (俳句).

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