Lecture

Yves Klein and New Realism

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In course

HUM-321: History of contemporary art

L'enseignement propose une introduction à l'histoire de l'art contemporain du XIXe au XXIe siècle, permettant d'aborder les oeuvres selon une approche esthétique et sociale. ...

Description

This lecture explores the life and work of Yves Klein, a major figure in the New Realism movement. It delves into Klein's unique approach to art, from his monochrome paintings to his performances with living brushes and anthropometries. The lecture also discusses the formation of the New Realism group, its manifesto, and the key exhibitions that marked its development. Klein's quest for immateriality, his mystical beliefs, and his innovative use of different mediums are highlighted, shedding light on his significant contribution to the avant-garde art scene of the 20th century.

Official source

Ontological neighbourhood

Art

Visual arts: Painting

Related concepts (32)

Monochrome painting

Monochromatic painting has played a significant role in modern and contemporary Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in value, diversity of texture, and formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for conceptual works.

Magic realism

Magic realism or magical realism is a style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances.

Nouveau réalisme

Nouveau réalisme (French for "new realism") is an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real.

Avant-garde

In the arts and in literature, the term avant-garde (advance guard and vanguard) identifies a genre of art, an experimental work of art, and the experimental artist who created the work of art, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus how the artists who created the anti-novel and Surrealism were ahead of their times.

Literary realism

Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences.

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