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In special functions, a topic in mathematics, spin-weighted spherical harmonics are generalizations of the standard spherical harmonics and—like the usual spherical harmonics—are functions on the sphere. Unlike ordinary spherical harmonics, the spin-weighted harmonics are U(1) gauge fields rather than scalar fields: mathematically, they take values in a complex line bundle. The spin-weighted harmonics are organized by degree l, just like ordinary spherical harmonics, but have an additional spin weight s that reflects the additional U(1) symmetry. A special basis of harmonics can be derived from the Laplace spherical harmonics Ylm, and are typically denoted by sYlm, where l and m are the usual parameters familiar from the standard Laplace spherical harmonics. In this special basis, the spin-weighted spherical harmonics appear as actual functions, because the choice of a polar axis fixes the U(1) gauge ambiguity. The spin-weighted spherical harmonics can be obtained from the standard spherical harmonics by application of spin raising and lowering operators. In particular, the spin-weighted spherical harmonics of spin weight s = 0 are simply the standard spherical harmonics: Spaces of spin-weighted spherical harmonics were first identified in connection with the representation theory of the Lorentz group . They were subsequently and independently rediscovered by and applied to describe gravitational radiation, and again by as so-called "monopole harmonics" in the study of Dirac monopoles. Regard the sphere S2 as embedded into the three-dimensional Euclidean space R3. At a point x on the sphere, a positively oriented orthonormal basis of tangent vectors at x is a pair a, b of vectors such that where the first pair of equations states that a and b are tangent at x, the second pair states that a and b are unit vectors, the penultimate equation that a and b are orthogonal, and the final equation that (x, a, b) is a right-handed basis of R3.
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will investigate the effect of phase on the
perceptual quality of a sound. It is often said that the human ear is
commercial-grade audio equipment takes place in the magnitude domain
only.
In [1]:
%matplotlib inline
import matplotlib
import matplotlib.pyplot as plt
import numpy as np
import IPython
from scipy.io import wavfile
In [2]:
plt.rcParams["figure.fig "I defy anybody to find a record... unless it is some old blues
record from 1922... that uses feedback that way. So I claim it for
the Beatles. Before H
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will explore various ways to implement a system
that changes the voice of a speaker. Typical applications for these
techniques, strictly sorted by plausibility, include international spy
missions and prank telephone calls, and devices such as the one
displayed here can be easily bought on the web... or in a novelty shop.
No description has been provided for t