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In relativity, rapidity is commonly used as a measure for relativistic velocity. Mathematically, rapidity can be defined as the hyperbolic angle that differentiates two frames of reference in relative motion, each frame being associated with distance and time coordinates. For one-dimensional motion, rapidities are additive whereas velocities must be combined by Einstein's velocity-addition formula. For low speeds, rapidity and velocity are proportional but, for higher velocities, rapidity takes a larger value, with the rapidity of light being infinite. Using the inverse hyperbolic function artanh, the rapidity w corresponding to velocity v is w = artanh(v / c) where c is the velocity of light. For low speeds, w is approximately v / c. Since in relativity any velocity v is constrained to the interval −c < v < c the ratio v / c satisfies −1 < v / c < 1. The inverse hyperbolic tangent has the unit interval (−1, 1) for its domain and the whole real line for its ; that is, the interval −c < v < c maps onto −∞ < w < ∞. In 1908 Hermann Minkowski explained how the Lorentz transformation could be seen as simply a hyperbolic rotation of the spacetime coordinates, i.e., a rotation through an imaginary angle. This angle therefore represents (in one spatial dimension) a simple additive measure of the velocity between frames. The rapidity parameter replacing velocity was introduced in 1910 by Vladimir Varićak and by Edmund Taylor Whittaker. The parameter was named rapidity by Alfred Robb (1911) and this term was adopted by many subsequent authors, such as Ludwik Silberstein (1914), Frank Morley (1936) and Wolfgang Rindler (2001). The quadrature of the hyperbola xy = 1 by Gregoire de Saint-Vincent established the natural logarithm as the area of a hyperbolic sector or an equivalent area against an asymptote. In spacetime theory, the connection of events by light divides the universe into Past, Future, or Elsewhere based on a Here and Now . On any line in space, a light beam may be directed left or right.
Jian Wang, Olivier Schneider, Zhirui Xu, Yiming Li, Yi Zhang, Lei Zhang, Aurelio Bay, Guido Haefeli, Jessica Prisciandaro, Tatsuya Nakada, Christoph Frei, Mark Tobin, Frédéric Blanc, Minh Tâm Tran, Michel De Cian, Greig Alan Cowan, Maurizio Martinelli, Donal Patrick Hill, Liang Sun, Pietro Marino, Luca Pescatore, Mirco Dorigo, Sebastiana Gianì, Liupan An, Elena Graverini, Federico Leo Redi, Chitsanu Khurewathanakul, Ilya Komarov, Renato Quagliani, Maxime Schubiger, Guido Andreassi, Bastien Luca Muster, Violaine Bellée, Maria Vieites Diaz, Frédéric Guillaume Dupertuis, Olivier Göran Girard, Axel Kuonen, Julien Rouvinet, Alessandro Mapelli, Katharina Müller
Jian Wang, Olivier Schneider, Yiming Li, Yi Zhang, Lei Zhang, Aurelio Bay, Guido Haefeli, Jessica Prisciandaro, Tatsuya Nakada, Christoph Frei, Mark Tobin, Frédéric Blanc, Minh Tâm Tran, Michel De Cian, Greig Alan Cowan, Maurizio Martinelli, Vladislav Balagura, Donal Patrick Hill, Jean Wicht, Ilya Komarov, Plamen Hristov Hopchev, Bastien Luca Muster, Frédéric Guillaume Dupertuis, Julien Rouvinet, Christophe Salzmann, Pierre Jaton, Barinjaka Rakotomiaramanana, Joël Bressieux, Songmei Wu, Raluca Anca Muresan, Johan Luisier, Anne Keune, Andrei Martynov, Katharina Müller, Vincent Fave
Jian Wang, Olivier Schneider, Yiming Li, Yi Zhang, Lei Zhang, Aurelio Bay, Guido Haefeli, Jessica Prisciandaro, Tatsuya Nakada, Christoph Frei, Mark Tobin, Frédéric Blanc, Minh Tâm Tran, Michel De Cian, Greig Alan Cowan, Maurizio Martinelli, Vladislav Balagura, Donal Patrick Hill, Jean Wicht, Ilya Komarov, Plamen Hristov Hopchev, Bastien Luca Muster, Frédéric Guillaume Dupertuis, Julien Rouvinet, Christophe Salzmann, Pierre Jaton, Barinjaka Rakotomiaramanana, Joël Bressieux, Songmei Wu, Raluca Anca Muresan, Johan Luisier, Anne Keune, Vincent Fave