Concept

Musical theatre

Related publications (24)

Hearing structure in music: An empirical inquiry into listening as representation and processing

As a universal expression of human creativity, music is capable of conveying great subtlety and complexity. Crucially, this complexity is not encoded in the score or in the sounds, but is rather construed in the mind of the listener in the form of nuanced ...

EPFL2024

Platform-mediated live musical performance in China: New social practices and urban cultural spaces

Mengke Zhang

This paper provides a non-Anglo-American geographical discussion of digitally mediated cultural activities. Taking China's live music industry as an entry point, we seek to theoretically and empirically understand the complex roles of digital technologies ...

2023

The Claude Debussy Solo Piano Corpus

Martin Alois Rohrmeier, Johannes Hentschel, Gabriele Cecchetti

This dataset originates from the DCML corpus initiative and contains musicological research data. For more information, please refer to its documentation page https://dcmlab.github.io/debussy_piano Please cite this dataset as Laneve, S., Schaerf ...

Zenodo2023

The Structure of Free Polyphony

Christoph Finkensiep

The human ability to perceive and understand music is remarkable. From an unstructured stream of acoustic input it creates a wide range of experiences, from psycho-acoustic effects to emotional and aesthetic responses. One such set of phenomena is the expe ...

EPFL2023

The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform

Martin Alois Rohrmeier, Johannes Hentschel, Gabriele Cecchetti

Claude Debussy’s personal style is typically characterised as a departure from earlier diatonic tonality, including a greater variety of pitch-class materials organised in fragmented yet coherent compositions. Exploiting the music-theoretical interpretabil ...

2023

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

Music can be interpreted by attributing syntactic relationships to sequential musical events, and, computationally, such musical interpretation represents an analogous combinatorial task to syntactic processing in language. While this perspective has been ...

Wiley2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Steffen Alexander Herff, Daniel Harasim, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

midiVERTO: A Web Application to Visualize Tonality in Real Time

Fabian Claude Moss, Daniel Harasim

This paper presents a web application for visualizing the tonality of a piece of music-the organization of its chords and scales-at a high level of abstraction and with coordinated playback. The application applies the discrete Fourier transform to the pit ...

SPRINGER INTERNATIONAL PUBLISHING AG2022

Musical Garden Paths: Evidence for Syntactic Revision Beyond the Linguistic Domain

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

While theoretical and empirical insights suggest that the capacity to represent and process complex syntax is crucial in language as well as other domains, it is still unclear whether specific parsing mechanisms are also shared across domains. Focusing on ...

Wiley2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Fabian Claude Moss, Daniel Harasim

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

Martin Alois Rohrmeier, Fabian Claude Moss, Daniel Harasim

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of ...

2021

The experience of musical structure as computation : what can we learn?

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

This paper presents an overview of the epistemological grounding of the computational approach to musical syntax as a tool to advance our understanding of the cognitive underpinnings of the musical experience. From the proposed perspective, formulations of ...

2021

Learning music composition with recurrent neural networks

Florian François Colombo

Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

EPFL2021

Western listeners detect boundary hierarchy in Indian music: a segmentation study

Martin Alois Rohrmeier

How are listeners able to follow and enjoy complex pieces of music? Several theoretical frameworks suggest links between the process of listening and the formal structure of music, involving a division of the musical surface into structural units at multip ...

NATURE RESEARCH2021

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

Martin Alois Rohrmeier, Fabian Claude Moss

This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the cho ...

2020

Axiomatic scale theory

Martin Alois Rohrmeier, Daniel Harasim

Scales are a fundamental concept of musical practice around the world. They commonly exhibit symmetry properties that are formally studied using cyclic groups in the field of mathematical scale theory. This paper proposes an axiomatic framework for mathema ...

TAYLOR & FRANCIS LTD2020

The Tonal Diffusion Model

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

2020

The MIDI Degradation Toolkit: Symbolic Music Augmentation and Correction

Andrew Philip McLeod

In this paper, we introduce the MIDI Degradation Toolkit (MDTK), containing functions which take as input a musical excerpt (a set of notes with pitch, onset time, and duration), and return a ``degraded'' version of that excerpt with some error (or errors) ...

2020

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Daniel Harasim

Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style. The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...

EPFL2020