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In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally retain the same stroke weight as other letters and have a wider for readability. Typically, the height of a small capital glyph will be one ex, the same height as most lowercase characters in the font. In fonts with relatively low x-height, however, small caps may be somewhat larger than this. For example, in some Tiro Typeworks fonts, small caps glyphs are 30% larger than x-height, and 70% the height of full capitals. To differentiate between these two alternatives, the x-height form is sometimes called petite caps, preserving the name "small caps" for the larger variant. OpenType fonts can define both forms via the "small caps" and the "petite caps" features. When the support for the petite caps feature is absent from a desktop-publishing program, x-height small caps are often substituted. Many word processors and text-formatting systems include an option to format text in caps and small caps, which leaves uppercase letters as they are, but converts lowercase letters to small caps.
[2]Paolo Prandoni, [3]LCAV, EPFL
In [1]:
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will use the adaptive LMS filter to estimate the
impulse response of a reverberating room.
A typical use case is handsfree telephony: since the received signal,
amplified and played by the speaker, is picked up by the microphone, we
need to eliminate it from the signal that is transmitted back in order
to avoid a feedback loop. The signal picked up by the microph [2]Paolo Prandoni, [3]LCAV, EPFL
The Parks-McClellan (PM) algorithm is a clever application of advanced
polynomial fitting techniques to the problem of FIR filter design. In
this notebook we will explore the key ideas behind the method by
considering the design of a simple Type-I lowpass filter.
NOTE: This notebook uses interactive widgets. If the interactive
controls do not work or show up, please fo [2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will explore various ways to implement a system
that changes the voice of a speaker. Typical applications for these
techniques, strictly sorted by plausibility, include international spy
missions and prank telephone calls, and devices such as the one
displayed here can be easily bought on the web... or in a novelty shop.
No description has been provided for t