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In the mathematical field of algebraic topology, the fundamental group of a topological space is the group of the equivalence classes under homotopy of the loops contained in the space. It records information about the basic shape, or holes, of the topological space. The fundamental group is the first and simplest homotopy group. The fundamental group is a homotopy invariant—topological spaces that are homotopy equivalent (or the stronger case of homeomorphic) have isomorphic fundamental groups. The fundamental group of a topological space is denoted by . Start with a space (for example, a surface), and some point in it, and all the loops both starting and ending at this point—paths that start at this point, wander around and eventually return to the starting point. Two loops can be combined in an obvious way: travel along the first loop, then along the second. Two loops are considered equivalent if one can be deformed into the other without breaking. The set of all such loops with this method of combining and this equivalence between them is the fundamental group for that particular space. Henri Poincaré defined the fundamental group in 1895 in his paper "Analysis situs". The concept emerged in the theory of Riemann surfaces, in the work of Bernhard Riemann, Poincaré, and Felix Klein. It describes the monodromy properties of complex-valued functions, as well as providing a complete topological classification of closed surfaces. Throughout this article, X is a topological space. A typical example is a surface such as the one depicted at the right. Moreover, is a point in X called the base-point. (As is explained below, its role is rather auxiliary.) The idea of the definition of the homotopy group is to measure how many (broadly speaking) curves on X can be deformed into each other. The precise definition depends on the notion of the homotopy of loops, which is explained first. Given a topological space X, a loop based at is defined to be a continuous function (also known as a continuous map) such that the starting point and the end point are both equal to .
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will investigate the effect of phase on the
perceptual quality of a sound. It is often said that the human ear is
commercial-grade audio equipment takes place in the magnitude domain
only.
In [1]:
%matplotlib inline
import matplotlib
import matplotlib.pyplot as plt
import numpy as np
import IPython
from scipy.io import wavfile
In [2]:
plt.rcParams["figure.fig "I defy anybody to find a record... unless it is some old blues
record from 1922... that uses feedback that way. So I claim it for
the Beatles. Before H
[2]Paolo Prandoni, [3]LCAV, EPFL
In this notebook we will explore various ways to implement a system
that changes the voice of a speaker. Typical applications for these
techniques, strictly sorted by plausibility, include international spy
missions and prank telephone calls, and devices such as the one
displayed here can be easily bought on the web... or in a novelty shop.
No description has been provided for t [2]Paolo Prandoni, [3]LCAV, EPFL
The Karplus-Strong algorithm is a simple method to generate synthetic
sounds with arbitrary pitch. In this notebook we will explore a few
variations of the method to illustrate some basic notions of
discrete-time signal processing.
In [1]:
%matplotlib inline
import matplotlib
import matplotlib.pyplot as plt
import numpy as np
import IPython
In [2]:
plt.rcParams["figure.figsize"]